A Quote by Arbaaz Khan

Generally, the biopics are made on the personalities about whom much is not known. But if someone who is already popular and everyone knows about his life then I don't see a point in making a biopic on his life unless you are telling something new about that person.
If I am offered a biopic on a person people know almost everything about, what is the point doing it? A film on someone about whom very less is known is something that would interest me.
I would say that I learned that the heartbreak wasn't as much about me as the fact that my partner wasn't right with himself. I see where his life has taken him, and realize that the handwriting was on the wall. There were things that I had blamed myself for, but it was really more about his choices, his needs and his journey as a person. His desire for too much of everything made it a challenging relationship.
Why would any one make a biopic on me? I would have lived my life a certain way, had I known that a biopic will be made on it in future. I agree, every person's life has enough drama to be translated into a movie but I can't say the same about myself.
If it was a biopic about Glenn Greenwald, I would have immersed myself more fully in his personal life and gotten to know him as much as I could, but because it was much more about his relationship to this particular situation, to The Guardian, to Laura Poitras, and to Ewen MacAskill, and Edward Snowden, I was able to really learn a lot about him from reading his book and reading his many articles and accounts of that time.
Hollywood is so small that everyone has either worked with someone or knows someone who knows someone and so it was kind of easy and fun. And I think there's something exciting about being, like, "Hey! Welcome to the set!" and making everyone feel welcome, and making it fun, 'cause everybody knows what it's like to be the new kid.
People have talked about a biopic on my mother. And I am excited about it. In such a short span, it was one hell of a life lived. It is special. I would love to have a biopic made on her.
Never let money control you. I'd rather see someone spend every red cent and relish his/her life than scrimp, obsess, and pinch the pennies. There's something repugnant about a person who centers his life around money.
In fact, I am a bit apprehensive about biopics on sporting personalities in our country after seeing a few films. But my biopic is not going to be the same; it's completely different.
It used to be said that, socially speaking, Philadelphia asked who a person is, New York how much is he worth, and Boston what does he know. Nationally it has now become generally recognized that Boston Society has long cared even more than Philadelphia about the first point and has refined the asking of who a person is to the point of demanding to know who he was. Philadelphia asks about a man's parents; Boston wants to know about his grandparents.
I didn't grow up listening to The Smiths, but now I am a fan. I love his music and listened to so much of it for the film. It's not a regular biopic; they picked a part of his life that people don't really know about. You learn what informs his lyrics.
There is a close connection between art and religion in the sense that both are concerned about questions of meaning - if not about the meaning of existence generally, then certainly about the meaning of one's individual life and how a person relates to his or her total community/environment.
Marriage is not mainly about being or staying in love. It’s mainly about telling the truth with our lives. It’s about portraying something true about Jesus Christ and the way He relates to his people. It is about showing in real life the glory of the gospel.
One can't prescribe books, even the best books, to people unless one knows a good deal about each individual person. If a man is keen on reading, I think he ought to open his mind to some older man who knows him and his life, and to take his advice in the matter, and above all, to discuss with him the first books that interest him.
One respect in which I'm very much my father's son is how I feel about Joyce. 'Ulysses' is very much about daily life, when you get into this other guy's life and you learn about the things he cares about, and why he cares about them. And then, very indirectly, very subtly, you learn why politics has impacted his life, too.
Clary made fun of him about his new look; but, then, Clary found everything about Simon's love life borderline hilarious.
The doctor used to tell me that every person about to die becomes a music box playing the melody that best describes his life, his character, and his hopes. For some, it's a popular waltz; for others, a march.
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