A Quote by Arbaaz Khan

Salman doesn't even know half the time what I'm working on. Sometimes, he only gets to know about a film of mine when the release date is close. We don't sit down and discuss our professional lives with each other.
We're always working on our communication, which is something that's important. Instead of going through managers to discuss things, we will sit down and have meetings about things. That's a process. And you have to be able to be honest with each other as much as you can.
'Orange' is fun. Even when we're doing super-intense, emotional, or physical stuff, we're having fun. We're checking in with each other; we know about each other's lives and know each other's families and relationships. We're really friends.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
At a certain point we need to grow up; we need to look inside ourselves for our inner guidance. There are things most human beings know; they just don't want to know them. They know deep down that certain things in their lives are working or aren't working, that certain parts of their lives are functional and others are dysfunctional. But sometimes, as human beings, we don't want to know what's not convenient. So we pretend not to know.
Others who openly discuss matters of spirituality often ignore the warning signs. They are so in love with each other, enjoy being with each other, and can see themselves making each other happy for the rest of their lives, and they close their eyes to huge differences in their views of spirituality.
We're being taken advantage of because we have leaders who are incompetent. They don't even know. When I went out and told them you know in their trade deal they didn't even discuss the devaluation, they didn't even discuss it. At least they started discussing it, only because of me.
I'll think about something else. I'll just sit quietly. If I could sit still. If I could sit still, maybe I could read. Oh, all the books are about people who love each other, truly and sweetly. What do they want to write about that for? Don't they know it isn't true? Don't they know it's a lie, it's a God-damned lie? What do they have to tell about that for, when they know how it hurts?
The Revelation of Sonmi 451 To be is to be perceived, and so to know thyself is only possible through the eyes of the other. The nature of our immortal lives is in the consequences of our words and deeds, that go on and are pushing themselves throughout all time. - Our lives are not our own. From womb to tomb, we are bound to others, past and present, and by each crime and every kindness, we birth our future.
At the end of the day, when it comes down to it, all we really want is to be close to somebody. So this thing where we all keep our distance and pretend not to care about each other, it's usually a load of bull. So we pick and choose who we want to remain close to, and once we've chosen those people, we tend to stick close by. No matter how much we hurt them. The people that are still with you at the end of the day, those are the ones worth keeping. And sure, sometimes close can be too close. But sometimes, that invasion of personal space, it can be exactly what you need.
As an artist, to release music is what you look forward to. That's what everybody looks forward to when they sign a deal. It feels really good to know I'm actually working towards a release date.
I think his [Bernie Sanders] campaign was good for the Democratic Party, good for our country. And I know how passionate he is about the issues he cares about. So we'll have a long list of matters to discuss when we sit down.
When you have kids, it can be hard sometimes because you've got to find creative ways to spend time with each other. So with 'Lights Down Low,' I wanted to just write about all the things that we do to try to keep the love alive in creative ways, because you can't always go out on a date... but you can make a date at home.
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.
Sometimes we postpone releases because of another big film or some other reasons. In the end, the big film, too, postpones, and the impact is on the small films. So once you decide on a release date, you have to go ahead with it.
This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.
Sometimes, you release an album and the record company just about ignores it, and so many people don't even know it's out. And I'm not about to jump up and down shouting, "Hey folks, look at me! I'm cool and groovy!" That's not what George Harrison is all about.
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