A Quote by Arbaaz Khan
I'm a recognisable actor, but I'm not a bankable actor.
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I want to be a commercially viable actor. I want that the distributors and producers should earn the money; then only, you become a bankable actor.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
Im an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
I'm an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
People always assume that, if you're an actor who's been on anything from which you're recognisable, that you're making all this money, and it's just not true.
I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
I think, basically, I am an actor. Sometimes I'm an actor who's writing and sometimes an actor who's directing, but I think if I'm forced to fill out a form for my tax return, 'actor' is the first thing I write down.
When you're making an independent film, it's like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money's gone. It's this frightening puzzle mosaic that is the world of independent film.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
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