A Quote by Arbaaz Khan

I have to make myself available for work. If I'm going to sit around only for great roles, I won't get the right one. — © Arbaaz Khan
I have to make myself available for work. If I'm going to sit around only for great roles, I won't get the right one.
I don't sit around going, 'What is the matter with me? What do I have to do to get a hit?' And I don't also sit home and listen to my record every day and get drunk and go, 'Wow, this is great.'
The destination you think is going to make you happy, doesn't. I always find myself thinking, "I'm getting ready right now, but when I get to the party it's going to be great!" Once at the party, I find myself going, "Man, can't wait to get in bed tonight. I'm pooped." It's like that with my career, too.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I'll play it to a friend, and they'll say, 'Oh, that's nice.' But when something happens to me, and I sit down and write a song to get rid of my emotions, they'll turn around and say, 'Wow, that's great.'
For me, choice is the most important thing because I'm going to be an adult actor pretty soon. So I've got to be choosing the right roles now so that by the time I get to that age there will be wide options available.
I don't sit around thinking about my titles and roles; I just do what feels right.
I hone my craft. I keep going. I light a little fire under myself. I look around for roles that will challenge me. And I'm grateful for all the ones I get.
I'll force myself to sit down and read a couple of chapters of a great book or I'll force myself to sit and listen to some amazing music or I'll go see a play. I find that watching or experiencing other forms of art gets my brain in action. It makes me feel connected to the creative energies and then that tends to get things going.
I think it's just as viable a way of telling a story as anything else but for right now we like playing around with the new ways to do 3-D because I think it's only going to get better. I think that eventually we'll come home, we'll sit in our living room and there will be a little hologram that'll pop up and you'll watch these 3-D movies but you'll be able to walk around it.
The whole idea is you can't sit around and do nothing. You have to get up and start living one day at a time. That's what I did my entire career. You can't sit around and say, 'Oh, poor me. Nobody likes me. Nobody is giving me a job.' You have to get up and go. If you sit at home and do nothing, that is what is going to happen.
I had demos that I'd send out of the songs and I'd get, "Great, can't wait to get in a room and actually play this and work on the album." So, it was good all-around because they knew even though I wasn't with them for some of the shows, I was being productive, which was really important because I didn't want to just sit on my ass. Once I was able to use my hand again, I would go right into it.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
There are definitely a lot of roles I didn't get based off of the way I look, but I'm not going to let that stop me. I'm going to write stories for myself or work with filmmakers who want to tell stories about real people.
I just need to build myself up and get myself in the right place and if I do that I'm going to play great darts all the time.
You ever go out to a restaurant now? You can get quality food - you can go out and get the best food that was available 20 years ago. They'll put it on a plate, you'll sit in a plastic chair because nobody values the chair, the white tablecloth, the maître d', but they'll put on your plate some great food for what used to be available at Applebee's prices. There are some really nice things going on, some external values being delivered to people.
If I wasn't a model, I would never have been around interesting musicians, even had the financial capabilities to say, 'I don't have to work right now. I can sit and make my record.'
I think the goal is always to go deeper within myself, and accept myself on deeper levels and to know myself on deeper levels. Whether or not I look for roles that are going to do that for me, I certainly look for the ways in which the roles I get can do that for me.
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