A Quote by Arca

When I was younger, I used to say, 'I'm not making music. I am getting catharsis for emotion.' For me, vulnerability is an act of uncovering. It's a revealing: the idea of putting aside your armour and allowing pain to enter.
If the act of writing is the act of putting aside the masculine, then you might in that way, it may sound almost crazy to say this, say that the act of writing, for a woman, could be a homosexual act.
Don't cling to things, because everything is impermanent... But detachment doesn't mean you don't let the experience penetrate you. On the contrary, you let it penetrate you fully. That's how you are able to leave it...You're afraid of the pain, you're afraid of the grief... But by throwing yourself into these emotions, by allowing yourself to dive in, all the way, over your head even, you experience them fully and completely.You know what pain is. You know what love is. "All right. I have experienced that emotion. I recognize that emotion. Now I need to detach from that emotion for a moment.
Uncovering secrets is apocalyptic in the simple sense (the Greek root means ‘an uncovering’). In this case, it lifts the shame covers. It allows articulation to enter where silence once ruled.
The notion that "this too shall pass" is comforting, both in knowing that whatever pain I'm in will change into something else and allowing myself to experience the pain, not trying to blunt it or brush it aside. It's important to feel and to be connected to your emotions, whichever way they play out.
The idea of your younger sibling being in pain and realizing you are the cause of that pain is unbearable.
A lot of people think that my work is about mocking or making fun of things, but a lot of it is about discomfort and making myself as uncomfortable as the men feel, or putting myself in a situation where I'm revealing my loneliness as much as they're revealing theirs.
When you start putting too much thought into it, the music starts getting too revealing. You don't need to know all my inner thoughts.
I think the one thing that never goes away is soul and emotion and vulnerability and finding your strength in our vulnerability. I think when I apply all of that to music, it somehow just ends up being classic. It's the sum of a bunch of things that never go away.
If someone's performance is down we do not say, 'Hey pick up your things here.' We do not yell and scream at them, we say, 'Are you okay?' The idea of putting our financials goal aside for one minute to express empathy for the human being for that work and saying, 'Are you okay?' That is part of the sacrifice.
There's things that I say that people wouldn't say. And just putting across my vulnerability as a person in my music as well. A lot of people wouldn't do that, everyone wants to be hard.
I have no problem with the idea of comfort, but it is not an important thing aesthetically. If you look at a shoe and immediately say it looks very comfortable, in terms of design, it is not going to excite me. Of course, I am not putting nails in my shoes to ensure everybody is in pain, but a heel is not a pair of slippers and never will be.
It's with pleasure that I'm putting film-making aside. I never enjoyed making films. I didn't like the whole film world - an invented, unreal world whose values are completely different to those I'm used to.
I'm putting everything on the line in being able to express myself in a different way than rappers normally do. They might say, 'It's rap' or 'It's R&B,' but I'm stepping outside the box and making music for me and making music for the fans to understand me. I'm going the extra distance to be able to come across different.
I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
I love artists making cool music, regardless of the style.So, if a country artist making really cool music came along and asked me to work with them, I just might say yes, even though I'm not super-knowledgeable about country, like I am about hip-hop. I might do that because the idea is so interesting.
The reality is just the opposite: the master does nothing. It is in your becoming a disciple that the whole mystery lies. It is in your surrender of the ego that the whole search comes to an authentic point. It is in putting your mind aside. That is what sannyas is: an authentic discipleship. It means putting your mind aside. You have lived according to your mind up to now. If that is fulfilling, then there is no need for anybody to become a sannyasin.
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