A Quote by Arca

With 'Lonely Thug,' I constructed a fantasy character who was very masculine and strong and almost threatening, but his demeanor belied some complication. — © Arca
With 'Lonely Thug,' I constructed a fantasy character who was very masculine and strong and almost threatening, but his demeanor belied some complication.
It's often hard to determine, especially in early drafts, whether or not a story has a bona fide complication. Remember this: A complication must either illuminate, thwart, or alter what the character wants. A good complication puts emotional pressure on a character, promoting that character not only to act, but to act with purpose.If the circumstance does none of these things, then it's not a complication at all - it's a situation. This situation, or setup, might be interesting or even astonishing, but it gives the story no point of departure.
I'm very sensitive about the fact that there's not a lot of good work for women in cinema that also deals with strong characters. But 'strong character' doesn't mean 'masculine character' - but something that finds the strength in femininity and the beauty in femininity. And something that says you can find femininity in men in some way.
People who are slavish to a fantasy ideology become very lonely in the world. It's very alienating and sometimes reality is very threatening to this magical way of thinking. On the other hand, if it is a politician or leader that chooses for whatever reason to remain in this state of magical thinking, then they should be called out for it strongly and repeatedly.
Girls love it when you have some weird nerdy thing in your room. It makes you look less threatening, even though I'm, like, very threatening. I'm the most threatening guy ever.
'Deep Red' (1975) is my favorite movie. The character David Hemmings plays is very much based on my own personality. It was a very strong film, very brutal, and of course the censors were upset. It was cut by almost an hour in some countries.
And I sense it was a rather constructed, almost half narrative fiction film in some ways. A lot of it was staged and manipulated to get those things in there that I knew to be strong.
Boys are more likely to develop a masculine personality and acquire strong moral standards when they have a loving and nurturant rather than a threatening or fear-inspiring father.
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.
I have a very feminine voice when I write, a very womanly point of view. My last name feels strong and powerful. To me, it's almost a bit masculine. I like the dichotomy of the two. Two sides perfectly represented within my name.
A thug is someone who stands on his own. He lives by the decisions he makes and accepts the consequences. A thug is comfortable in his own skin. I wear mine like a glove.
I have probably four or five male friends who have a real strong masculine side but some degree of a feminine side, too. They're pretty rare, whereas I think women with a masculine side are much less rare.
A lot of fights in my life have been avoided through confidence and demeanor, so that's pretty masculine also.
There is always going to be depth and layers to people and that's what interests me in a character: when there is some problem to overcome, when there is a complication to understand in a person.
A lot of y'all are lonely and y'all lonely because you're overlooking a good man. Why? Because y'all wanna be with the hardcore thug. The man that is pretending to be everything that he isn't.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
Our very hopes belied our fears, Our fears our hopes belied; We thought her dying when she slept, And sleeping when she died.
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