A Quote by Arca
When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making.
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When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making. Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.
I've become a workaholic. When the shows slow down and there's no press and I can get my time to myself in the studio with my music, I get into this zone, man. I enter this incredible space where I'm just making music. And I feel like I can work with anybody - with Elton John, with Hanson - and I can make something incredible.
When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
We're still making Hot Chip records whilst doing these other things, so why not just try and make music you enjoy making rather than being tied down by things? It would just be crazy to not allow people to make music.
When I sit down to make a set list I usually think, 'We'll build it up here, take it down here, go into a quiet section here, explode here,' in a way that there's a flow and it doesn't feel like shuffle on an iPod.
With most electronic music I hear now, the things I like will be the things that have soul. It has to have a feeling in it, where it feels warm, or feels epic. I like to play with that in my music as well, there will always be a piano chord or something underneath it to make you feel at home. I always try and make sure even with vocals and layering that you still feel like you know me, no matter whether you're into grime or hip hop.
I feel like I've gotten to the point where when I get tired of making art I can make a smooth transition into making music and vice versa. There is always something to do.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
I have no friends and I never leave my house. You just have to make a choice to just refuse to be involved with things that could get you in trouble. It's easy when you feel upset or depressed about something to want to go to a club and want to drink, but instead I just force myself to sit and feel it and deal with it, and try to grow from it, because I don't want to go down that path. I'm one of the most isolated people in existence right now, but it's worth it because if I wasn't making that decision I would be throwing away my career.
At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
I take photos, I used to make films, I journal incessantly, and I really value the documentation of life. Because it's almost like you are making something special by wanting to make it exist in an object - on paper or even just in the computer - making these recordings, making this music.
I try to make classics. I don't try to make things that aren't good. It's always a pleasure to see that people care about the kind of music I'm making.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
I don't have to, like, try to come out with pop music because I feel that that's gonna make me sell a lot more. I mean, I make the music I love to make and that's it.
Music has always carried me through times of loneliness. So when I make music, I like it to make people who listen to it feel like they have a friend who reveals something personal to them, rather than trying to be like a god up on a pedestal
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