A Quote by Arca
It's very human to try to put things into boxes, and it's hard for us to reconcile with grey areas, and yet somehow that's the area I find the most poetic, the juiciest.
Related Quotes
It's very human to try to put things into boxes, and it's hard for us to reconcile with grey areas, and yet somehow, that's the area I find the most poetic, the juiciest.
It is hard to put aside partisanship. It is hard to give up the easy wisecracking jeer that divides and destroys. It is hard - very hard - to have worked sincerely and wholeheartedly for a cause and to have lost. Most of all, it is hard to put aside personal prejudices. And yet we must put these things aside.
It takes a profound hypocrisy to try to reconcile for others things that you can't reconcile for yourself.
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.
There's a particularly British wariness of appearing to try too hard. It's somehow distasteful. Everything should come to us seamlessly and, if you have to work at it, you're somehow a loser.
I just started a business called HDNet. There never is one area that has a door open to everyone. Try to find an area with something you love to do and do it. It's a lot easier to work hard and prepare when you love what you are doing.
Now, among the heresies that are spoken in this matter is the habit of calling a grey day a "colourless" day. Grey is a colour, and can be a very powerful and pleasing colour.... A grey clouded sky is indeed a canopy between us and the sun; so is a green tree, if it comes to that. But the grey umbrellas differ as much as the green in their style and shape, in their tint and tilt. One day may be grey like steel, and another grey like dove’s plumage. One may seem grey like the deathly frost, and another grey like the smoke of substantial kitchens.
I personally feel that no human is a hero or a villain. All of us have our grey sides, and that is why grey interests me: because it's more human, more life-like.
Mathematics is not something that you find lying around in your back yard. It's produced by the human mind. Yet if we ask where mathematics works best, it is in areas like particle physics and astrophysics, areas of fundamental science that are very, very far removed from everyday affairs.
It's really hard to find boots for plus-size women because most of us have larger calves - not all of us, but most of us - so it's hard to find boots.
I find mediocrity hard. I find that whole area difficult. I'm a very passionate person; I care very much about what I do. I believe I give it a lot, so it's gotta be good; otherwise, what's the point?
There are huge areas where the human mind is apparently incapable of forming sciences, or at least has not done so. There are other areas - so far, in fact, one area only [physics] - in which we have demonstrated the capacity for true scientific progress.
ACT psychology is a psychology of the normal. A lot of the psychologies that are out there are built on the psychology of the abnormal. We have all these syndromal boxes that we can put people in and so forth. The actual evidence on syndromes is not very good. There's no specific biological marker for any of the things that you see talked about in the media. Even things like schizophrenia - there's no specific and sensitive biological markers for these things. There may be some abnormal processes involved, but vastly more of human suffering comes from normal processes that run away from us.
when the sky is as grey as this - impeccably grey, a denial, really of the very concept of colour - and the stooped millions lift their heads, it's hard to tell the air from the impurities in our human eyes, as if the sinking climbing paisley curlicues of grit were part of the element itself, rain, spores, tears, film, dirt. Perhaps, at such moments, the sky is no more then the sum of the dirt that lives in our human eyes.
I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
I have this very kind of like heterodox idea of what an education is, what underpins identity. I don't think I'm very easily pigeon holed in any of those boxes, so I confront this. I have a staff full of young people who came up in a very different tradition and who feel very fired up about the big identity battles. I listen and I try to navigate them, but I don't find them mapping onto my life in a personal way which is, which is hard.
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