A Quote by Archibald MacLeish

A world ends when its metaphor has died. — © Archibald MacLeish
A world ends when its metaphor has died.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
My father died when I was seven. I guess I am interested in fatherlessness as a metaphor for vulnerability and unprotectedness. Being on your own in the world in a way you're not quite ready for, ever.
There was a day when I died; died to self, my opinions, preferences, tastes and will; died to the world, its approval or censure; died to the approval or blame even of my brethren or friends; and since then I have studied only to show myself approved unto God.
There's no question that how Johannesburg operates is what made me interested in the idea of wealth discrepancy. 'Elysium' could be a metaphor for just Jo'burg, but it's also a metaphor for the Third World and the First World. And in science fiction, separation of wealth is a really interesting idea to mess with.
Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)
You use metaphor to make yourself feel at home in the world. You use metaphor to extinguish the unknown. The problem is the unknown is where I want to be.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.
On Good Friday Jesus died But rose again at Eastertide.....Lord, teach us to understand that your Son died to save us not from suffering but from ourselves, not from injustice...but from being unjust. He died that we might live - but live as he lives, by dying as he died who died to himself.
When Christ died, He died for you individually just as much as if you'd been the only man in the world.
When Christ died, He died for you individually just as much as if you had been the only person in the world.
If I died snowboarding, you could honestly tell everybody in the world that Jeremy London died happy.
Now the power of the imagination is a unifying power, hence the force of metaphor; and the poet is the supreme manipulator of metaphor... the world needs the unifying power of the imagination. The two things that give it best are poetry and religion.
Metaphor is ritual sacrifice. It kills the look-alike. No, metaphor is homeopathy.
Now, that can be a traditional form or it can be something you're inventing. It can be the development of a metaphor, the working through of a metaphor.
I'm not going to tell people how to write, but we do have a skill set, and the more we put ourselves out into the world as poets, as a sort of poet of the tribe, as representatives of metaphor, and try to claim space for metaphor in the inner life, that's going to be important and be helpful to poetry and bring a tension for poets writing about whatever they choose.
This site uses cookies to ensure you get the best experience. More info...
Got it!