A Quote by Archibald MacLeish
To separate journalism and poetry, therefore-history and poetry-to set them up at opposite ends of the world of discourse, is to separate seeing from the feel of seeing, emotion from the acting of emotion, knowledge from the realization of knowledge.
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If you ant to feel deeply, you have to think deeply. Too often we separate the two. We assume that if we want to feel deeply, then we need to sit around and, well, feel. But emotion built on emotion is empty. True emotion- emotion that is reliable and does not lead us astray- is always a response to reality, to truth.
Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.
I love contemporary poetry because it moves between what we call poetry and what we call philosophy. It joins these fields and makes writing more natural, as in how it is lived in the person. We don’t separate thinking from feeling in real life, so why should we separate it in writing?
You must stop seeing God as separate from you, and you as separate from each other. [...] Nothing exists in the universe that is separate from anything else. Everything is intrinsically connected, irrevocably interdependent, interactive, interwoven into the fabric of all of life.
Grief is an emotion that's almost unplayable because you're in a separate emotional state; it's an inconsolable emotion.
Often poetry, especially the sort of poetry I write, is concerned with looking at the borders between the sensual and the spiritual and seeing them as divided, equivocal, that mystery somehow can break in to the ordinary. And we read poetry I think in part, to gain a sense of that intimacy with things that we can't understand that are unable to be understood but that buoy up our lives.
For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion today is its unconscious poetry.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
Surrender means seeing that "I am not separate" - just SEEING that "I am not separate." Nothing is surrendered, nothing is dropped; just a nonsense idea, a dream is no more there because you are awake.
The poetry of art is in beholding the single tower; the poetry of nature in seeing the single tree; the poetry of love in following the single woman; the poetry of religion in worshipping the single star.
Poetry should begin with emotion in the poet, and end with the same emotion in the reader. The poem is simply the instrument of transferance.
Poetry is not a turning loose of emotion, but an escape from emotion.
I never think of poetry or the poetry scene, only separate poems written by individuals.
Journalism is concerned with events, poetry with feelings. Journalism is concerned with the look of the world, poetry with the feel of the world.
What I hate about kitchen-sink dramas is [this idea] that the set is real, therefore you're going to be seeing truth. You have to earn truth. Truth can't be a part of the fact that people appear to talk that way and live in that room. You're looking for the poetry in something, and I don't mean poetry in the fancy sense. Naturalism believes by just replicating a thing you give the truth, rather than earning the truth.
Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all.
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