A Quote by Archie Shepp

Black music has become a commercial commodity. Live performances are not so accessible as they were previously. It use to be possible to go to the bar on the corner and hear music. It was available for a fifteen cent beer.
I didn't entertain the idea that my music would ever become available in any of the ways that I had previously known music to be available.
People go out; they take risk; they find a way to develop resources that were previously not accessible, not available because of technological reasons.
Napster was a black market for music. Ninety-nine per cent of the music that people were downloading was illegal because they didn't have the rights for it.
Otherwise the history just gets completely flattened out, and people imagine that everything was always available and accessible. One of the things that struck me was the way in which the landscape of experimental music seemed different at different points in time, on the basis of where one was situated geographically, if one had access to live performances, and what was released at a particular time.
I think that if you hear music young, whatever music you hear influences you. I'm white, but I've been influenced by black music.
There was no use pretending, no magic left to hear, all the music gave me was a craving for lite beer.
[Commercial radio] is owned by one or two corporations now, and they're not in the music business. They're in the advertising business.... So let's not kid ourselves. If you want to hear music, go buy a guitar.
To be able to wake up and know I get to do music every single day - arrange music, compose music, write music and to be with my four best friends in the world, and just to go and do performances and to tour, it's honestly a dream come true.
If this were all to go away tomorrow, all the big success, I would still be very happy going from bar to bar playing music for people.
The world thinks that music is a commercial commodity. I'm glad that is not my code.
In the past, people could use their music because there are these bootlegs floating around that were supposedly public domain but they weren't, and now they've locked everything up and it's become really near impossible to use their music in movies.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
Music is completely not reality. There's nothing about music that has any meaning at all. A lot of people disagree with that, but it's basically true. You can listen to a piece of music, and fifteen people will give you fifteen answers of what it's about.
I enjoy music that is commercial. I think that in order for music to be heard in a lot of different situations, you have to always consider that. Commercial music, for the most part, is popular music, and you always have to keep that in mind. It's not so much financial as making sure it gets the shot and is heard on the radio.
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