A Quote by Archie Shepp
So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.
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I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.
By some estimates, 80% of rap music is bought by white youth. And this makes for another irony. The blooming of white alienation has brought us the first generation of black entrepreneurs with wide-open access to the American mainstream.
I'm to trying to say I'm something I'm not. Black people understand that. I'm just doing my raps, my way. Rap is black. I recognize that and respect that. I'm just a white guy trying to rap, and I got lucky.
The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug.
Everybody in the '80s, well, we hate rap. Now, the biggest rapper in the world... Eminem. Rap's a black thing.
Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.
Everybody likes music. And rock 'n' roll - that was the music that brought white youth and black youth together for the first time in American music history.
I rap when I'm rich. I rap when I'm broke. I rap when I'm bullshit in the street. I rap about only having one woman now. If you can look at a continuum of my career, it's been an evolution of a real dude. So when I say I take my wife to the strip club, we're there, at the five-dollar joint. More than anything, I want people to take away that I'm not mainstream act.
If you're going to point out the ridiculousness of a rule, it's naïve to think that you can break it. It's the same way that rappers have embraced capitalism. Some people say they liked it better when rap was a literal protest form in the '90s. But I think it's more a form of protest today, because it's telling the story of what happens once something forbidden is within reach. I think rap is more political today when it speaks about luxury watches than it does about fighting the power.
My goal, in general, is to make music for the youth that the youth can love. Not only just for the youth but almost be their voice. Just show that they can do whatever they want.
I thought that God and rap would never work. I thought that God wasn't okay with rap. People knew I used to rap, and I went to the Bible studies. Someone said, 'Hey, you should rap about Jesus.'
I guess rap has such a bad name, because everybody can do it now, and that's probably why people don't want to be considered as rappers anymore, they're not taken seriously anymore. But yeah, rap is definitely the core of what I want to do. But I'm also an artist so I try to do as many things as I can, but I always keep rap in the equation.
I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.
The youth of today and the youth of tomorrow will be accorded an almost unequaled opportunity for great accomplishment and for human service.
Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.
I don't like rap that you can't understand. The youth is so quick and alert.
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