A Quote by Archie Shepp

Negro music and culture are intrinsically improvisational, existential. Nothing is sacred. After a decade, a musical idea, no matter how innovative, is threatened.
Music and culture are intrinsically improvisational, existential.
I was criticized by some people for my first album because they said I was taking sacred music. They knew nothing about what I was doing. That was no sacred music; that's music I wrote.
I don't think the space station is innovative. Going to the moon was innovative because we had no idea how to do it.
Decade after decade, the police culture has been just the very opposite. And that`s been to ignore or to rally around. And that`s something that systematically we are going to need to break this blue wall of silence if we`re ever going to dramatically change and end the culture of police violence.
I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.
I just think music is so intrinsically linked with images in the culture that we live in that youll be hard-pressed to have an experience with the music without a preconceived notion.
Generally, that's what happens-a fundamental rotting of the idea. They woke up with the wrong idea. It's just like music: If you don't have an innate love or calling for it, then no matter how much you study or how well you can play by looking at the score, it doesn't mean that you're going to make really good music.
In my mid 30's, after a decade or so of giving full time to the music thing and finding myself with about $10 in the bank and no assets other than my musical equipment, I realized I needed to get serious about making a living.
Rome is a city where in every corner you have a reminder of the sacred world. That's why I have sacred music, minimalist sacred music, which is also music I like, because at the end of the day, that's what I want to do.
No matter how beautiful a woman might be, you're always threatened by certain... You're always threatened by other women, period.
No matter how beautiful a woman might be, you're always threatened by certain... You're always threatened by
My idea is to take the improvisational excitement that takes place with Carnatic music and juxtapose that in different sonic contexts.
If your idea is truly innovative, you're going to hear from the naysayers. After all, if it really were such a good idea, someone would have already done it, right?
But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French.
It seems to me virtually any ideology, no matter how intrinsically benign, can be used to oppress. And any group with power, no matter how well-meaning, ultimately corrupts and ends up exploiting its advantage to some extent.
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