A Quote by Ardal O'Hanlon

I was able to tour successfully and attract a fairly wide audience, but it was hard to assert myself as a stand-up because people were more familiar with me as a TV character. — © Ardal O'Hanlon
I was able to tour successfully and attract a fairly wide audience, but it was hard to assert myself as a stand-up because people were more familiar with me as a TV character.
I think what people don't realize is the transition from NXT to the main roster is a big jump. It's getting a whole new audience familiar with a certain character. If you debut too many women at one time, it's hard for the audience to get to know, understand, and see the rise of that character.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
And I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?"
I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?".
The best part about being a stand-up is the connection with the audience. There's nothing more gratifying then when you can make 300 people applaud and stand up - because that's all you.
There is something about being a director where, for me personally, I get to . . . it's the closest I'll ever come to being able to be a stand up. And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
I have a hard time taking myself seriously. My band the New Pornographers doesn't take me seriously, which is why I love them. We can't stand up there and pretend. What we're doing is really important to me and it's my job and I love it, but I can't just stand there unflinchingly noble in front of the audience.
TV isn't a wide medium when it comes to boldness on the small screen because of the audience. It reaches out to the audience but keeping the traditions intact.
I enjoy it all: performIng, doing TV, movies, comedy, drama, stand-up, animation voicework, singing, but you get that instant gratification from stand-up because it's your own commentary and you get to see the reaction from the audience that's right there in front of you. I also love coming up with characters and watching people embrace them and enjoy them.
If you can look at somebody and say, 'I never loved you, you were a mistake,' that's one thing. But if you look at him and say, 'You were everything and I poisoned it because I wouldn't stand up for myself,' that's hard. That's too hard.
I vacillate between feeling grateful for what I have in such hard times for the music business and being frustrated that I haven't moved up more quickly. It can be dispiriting to play the same small clubs tour after tour. You think: "When am I going to get to theatres, maybe even arenas?" But maybe that's not on the cards for me, maybe I don't have a wide enough appeal. Most days, I am happy to have the best job in the world.
I don't want to play myself up as a hero, because it would make me unbelievable. I'd rather settle for people thinking that I'm a bum, but digging my stories, than liking me and not being able to believe in my stories. That's one reason I've been hard on myself, because I want my stuff to be believable.
I want to be able to challenge myself. And do things that are away from what I usually do. Stand-up is safe for me. I can do stand-up in front of twenty-five thousand people, and I'm like, "I know how to do this. This is what I do." I want to be a little scared.
I would love to do more TV and do movies for the experience, but my ultimate focus is stand-up. It's the number one thing that I love most because there is nothing like being with a live audience.
I'm more than a little suspicious of humor in poems, because I think it can at times be a way of getting a reaction out of a reader, or an audience, that is something closer to relief: i.e., thank god this isn't poetry, but stand-up comedy. Some poets are really funny, but more often poets are fourth rate stand up comics at best. But they benefit from the sheer relief of the audience.
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
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