A Quote by Aretha Franklin

...the people at large absolutely gave James Brown respect. He was an original like a Rembrandt or a Picasso — © Aretha Franklin
...the people at large absolutely gave James Brown respect. He was an original like a Rembrandt or a Picasso
James Brown opened at least six of our House of Blues clubs. He always delivered, but he demanded the respect of an emperor. But, come on, he's James Brown ! ... I got to play on stage with him. Did he ever fine me ? (Brown was known to fine players for flubbing notes or steps) - I would have loved to have been fined by James Brown !
When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.
A friend of mine says his two favorite artists are Picasso and Rembrandt. Picasso because he paints the beautiful in such an ugly fashion. And Rembrandt because he paints the ugly so beautifully.
A guy like James Brown has walked the walk, talked the talk. I can't disrespect James Brown in any kind of way. In my household, the adults tell you where to get off at.
You can't really dance properly to James Brown. If you dance to James Brown, you look like an idiot. There's a lot of jerking.
There is a childlike side in the work of the Dadaists, Klee, Miró, Calder and Picasso. I am trying to make things that are very, very serious, and what comes out of it is things that are quite friendly, gay, and sometimes even amusing. [Chaim] Soutine tried to work like Rembrandt, and yet there is nothing of Rembrandt in his pictures.
Many people, including myself, thought of Jobs as an inventor, an Edison-like figure, but he wasn't. I did a documentary on James Brown recently; and, oddly, I found a lot in common between Jobs and Brown. Jobs was also a fantastic performer, put on an extraordinary live show at his product launches, but he could also be ruthless, cruel and totally self-aggrandizing. And just as Brown surrounded himself with the very best musicians, Jobs understood the importance of hiring the absolutely most talented people and knew how crucial they were to the success of what he was trying to do.
The James Brown we saw tended to be the James Brown we chose to see: as the caped crusader of funk and soul, adored by millions, or as the face in a seemingly endless series of mug shots. The ways in which he appealed to and appalled different audiences made Brown a kind of national Rorschach test.
My mom was a big fan of Al Green... James Brown we weren't allowed to listen to, so of course I knew James Brown.
For every wacky postcard, there's a million people waiting to buy it, and for every $10 million of those things, there's one Rembrandt. Purposely, I think I want to aim at doing something that a lot of people won't like. I'm just worried that it looks like I've compared my work with Rembrandt. "Gervais says he's better than Rembrandt!".
Prince is from the school of James Brown, and I love James Brown because of all the great rhythms he plays.
James Brown died owing me $50,000. But I loved James Brown.
My dad took me to see James Brown live, and that's so cool, cause I don't think many people my age can say they saw James Brown. I'm pretty proud of that. That's the thing about me that no one really knows. I had to have been 6 or 7, but I remember it vividly.
I've studied a lot of great people over the years - Pete Seeger, James Brown - and tried to incorporate elements that I've admired, though I can't say I dance like James.
I love James Brown, and as a baby, I was always dancing to James Brown.
The James Brown story is not about James Brown. It's about who's getting paid, whose interest is involved, who can squeeze the estate and black history for more.
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