A Quote by Arfi Lamba

We all do role-play. Sometimes behind the camera, and sometimes in front of it. I am the few lucky ones who have been able to wear both hats and especially have been able to romance the camera in a believable way, and I hope that this romance between us never ends.
I am very proud of my husband, both behind the camera and in front of the camera.
One of the great advantages of my time spent in movies and in basically every role possible, both in front of the camera and behind the camera, that I've gotten to see all these different ways that people work and the way movies are constructed from the inside out, from beginning to end.
I have been in public for a long time, so the camera was never an issue for me. I am very comfortable in front of a camera.
I've been acting since I was 2 and have always been on camera but doing a video is different because when you're acting, you pretend the camera's not there and you just do the scene and with a music video you're right in the camera so it feels weird sometimes.
There is no romance without some lying. That's what romance is - a little bit of Vaseline on the camera lens of life.
There's always been a shortage of roles for three-dimensional women, no matter what age. If you look at the statistics on women in film, be they behind the camera or in front of the camera, and it's pretty nauseous-making. It always has been.
My McQueen particularly was hard to make, because my father was dying. I see it, and I see my confusion, my pain, my everything. I thought that it was really interesting to be able to put the people from behind the camera in front of the camera as they make it.
Sometimes you just gotta get in front of the camera because sometimes you have a long break between things, or you're auditioning and maybe nothing's really happening.
Running backwards down the stairs, holding the camera, trying to focus on what's in front of you is difficult, and you need to be able to protect the camera.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
I like a good cry - it's cathartic; it's a release. But I've never been able to be so free to do that on camera the way some actors can.
I only wear heels when it's 100-percent required, and even sometimes not then. I have to talk myself into a bra. I've done an hour of standup where I've been like, "I don't have to wear a bra tonight." If you're going to be on camera, you have to get it together, but other than that, I am pretty lazy as a woman.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
To touch on people's lives [ in a way they ] haven't been touched on before, it´s fascianting. You know, it's one thing if [ a celebrity ] has an incredible character and you're really going to be able to delve into their personality – that's great. But you can never get real purity if people have been spoiled by the camera and don't trust you. I like feeling that I'm able to be a voice for those people who aren't famous, the people that don't have the great opportunities.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
And I've always been able to play basketball at the highest level, and been able to play a significant role on the team I've been traded to.
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