A Quote by Ari Graynor

I started acting because it was essentially the way I needed to survive and equalize my inner life. — © Ari Graynor
I started acting because it was essentially the way I needed to survive and equalize my inner life.
When I started studying acting in New York, I didn't plan to be an action hero. I just wanted to learn acting because I felt it was something I needed to try to do for myself, to express something, my inner pain, or something I couldn't get out.
I realized that a dancer's life is very short and I had so much of a creative energy in me that I needed outlets to do other things so that's when I started acting more and it all kind of blended together. When you're on stage you're acting and you're dancing, it started blended together now.
I never thought acting would be my life. I only started doing it because I needed something to occupy my weekends after I dislocated my knee and couldn't play sport.
I was an electrician, and I started acting as a hobby because I needed a distraction - I was bored! And only when I started did I think, 'Sheesh, what have I gotten into?' I had to go after it fully; I just had to.
I have quite a rich inner life, and I'm constantly looking for a way to express that. I haven't found it yet in acting. When you're playing a character, you're only going to find outlets for very specific parts of your inner world.
As I got older, I went to school. I started doing plays, I learned about the craft of acting, and I started to love acting for different reasons. I think I started to love acting because it brought me closer to people and made me more compassionate.
I lived a sloppy life. So I took very small increments in my life. I started making my bed. I started cleaning my room. There were dishes in the sink. It started off with doing small house chores. I saw that the yard needed to be mowed. So instead of being told it needed to be mowed, I would mow it.
I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.
When I was younger, I started taking singing lessons and dance and acting. I just started acting first because that's how everything happened.
I always felt like I needed to act. Not that I wanted to act, but I needed to. And I still feel that same way. There's an expression that I get to have in acting that I can't consciously express in my life. It has always defined me and it always will.
I always felt like I needed to act. Not that I wanted to act, but I needed to. And, I still feel that same way. There's an expression that I get to have in acting that I can't consciously express in my life. It has always defined me and it always will.
If humanity is to survive, happiness and inner balance are crucial. Otherwise the lives of our children and their children are more likely to be unhappy, desperate and short. Material development certainly contributes to happiness - to some extent - and a comfortable way of life. But this is not sufficient. To achieve a deeper level of happiness we cannot neglect our inner development.
I took some voice lessons here and there as a teenager but nothing too serious. I started taking it more seriously when I was in Miss Saigon. I needed to improve my technique in order to survive doing that show as many time a week as I was doing it. It's not an easy show to sing, so I needed all the help I could get.
For me, psychology and art interact and overlap in so many ways. Psychology is the study of the inner life and creativity comes from the imagination and a response to the environment, as you know. So they're both very similar in that way because it's about one's inner life interacting with the environment and what comes from that.
The very secret of life for mewas to maintain in the midst of rushing events an inner tranquility. I had picked a life that dealt with excitement, tragedy, mass calamities, human triumphs and suffering. To throw my whole self into recording and attempting to understand these things, I needed an inner serenity as a kind of balance.
An observer can't tell if a person is silent and still because inner life has stalled or because inner life is transfixingly busy.
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