A Quote by Ari Graynor

Twitter's a lot of work! That's the first thing I would say. There's so much pressure to be funny. — © Ari Graynor
Twitter's a lot of work! That's the first thing I would say. There's so much pressure to be funny.
I don't feel any pressure to be funny at all. I'm funny because I want to be funny. I could sit here and be serious for an hour and you would go away and make me much funnier than I am.
A lot of people say, 'Do you feel a lot of pressure?' There's not that much pressure, to be honest.
Essentially I feel like all of that pressure when you're making the first of a franchise of [movies based on] books that mean so much to people that has so much attention on it, it can be quite paralyzing I think. I think a lot of that creeped in the first time around and it maybe affects the work.
There are very funny people who aren't good at Twitter and people who are really good on Twitter where that's the best or the only thing they do. There are some people I know that don't write creatively outside of Twitter, but they're so good at Twitter.
If you’re famous, I don’t — for the life of me — I don’t understand why any famous person would ever be on Twitter. Why on God’s green earth would you be on Twitter? Because first of all, the worst thing you can do is make yourself more available, right?
I feel really humbled because I decided to go on Twitter, and all of my fans on Twitter say one thing consistently every single day, and that is, 'When are you coming back in movies?' I didn't even think people missed me that much.
For Scary Movie 2, we had a due date and had to work fast. And though there's a lot of pressure, as artists, we just block it out. So really, the pressure comes from us. That's how the first movie happened. There was no outside pressure: we wanted to hit the audience hard.
Being a humorist is not a voluntary thing. You can tell this because in a situation where saying a funny thing will cause a lot of trouble, a humorist will still say the funny thing. No matter how inappropriate.
I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'
Women are much tougher than men in so many ways. I would say, mentally, they are stronger. In terms of physical pressure, they can withstand a lot too.
The great thing about Twitter is, you get a lot back, and I read through a lot, and I want my fans to know that I do read a lot, and it's why I do respond or retweet clever posts, and I'm constantly amazed by the cleverness of people on Twitter.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
The thing I have learned, especially in the Internet age, probably the easiest thing in the world is to declare that something is not funny. I mean it's not actually humor to say something is not funny, but it is viewed by a lot of people - and by that I mean mainly snarky young Internet men - as a kind of humor in and of itself is putting down other people's efforts at humor. And I don't care that much anymore about that because I know how easy that is to do.
Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.
Twitter is basically text messaging. Twitter is a guy you can always elbow in the side and say, "Hey, look, a guy in a clown suit just threw up!" And I don't have 400-800 words to say about that, I just wanted to say that one thing.
The first thing you start with when you're trying to write something funny is it has to - it really has to come to you first. I has to be an idea that you have that first makes you laugh, that strikes you as funny.
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