A Quote by Ari Graynor
I think a reason why actors get reputations for being crazy and neurotic is because your life task is constantly in flux.
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There's fantasies about what heaven is like and who Satan is and why you shouldn't masturbate or why you should vote Republican. It's funny because it's an election year and their news broadcasts are constantly talking about "Vote Republican". I think that they think they're being subtle about it, but that's definitely not the case. So I'm like, "What does this have anything to do with the nice advice you were giving about how to live your life, how to get along with your spouse etc?"
Things are constantly in flux and changing, and as crazy-making as that can be, it's also the thing that can get you through tough times - 'Well, things change.'
I've always slightly envied other actors I know who have different reputations. I think, 'God, you don't get people coming up to you, going, 'Hey!' - because they're scared of you.'
I'm afraid of making a mistake. I'm not totally neurotic, but I'm pretty neurotic about it. I'm as close to totally neurotic as you can get without being totally neurotic.
To be born as a human being is a rare thing, something to be grateful for. But being born as a human being is worthless if you spend your whole life in a mental hospital. It is worthless if you worry about not having money. It is worthless if you become neurotic because you cannot get a prestigious job. It is worthless if you weep because you lose your girlfriend.
Girls always want a reason to get crazy. I get the feeling that girls are crazy anyway, so they just want a reason to really get wild. Why not let it be to a Tyga song?
I think, in general, straight actors should be able to play queer roles just as much as queer actors should be able to play straight roles. I think the reason why the debate is there is because we haven't had enough queer actors being cast in anything. People are in need of that representation in general.
I can't let fear kill my creative brain. Fear is the killer. Your bad choices come from fear. And I'm constantly combating fear. I'm one of the most fearful people, which may be why I'm so sensitive about it. I combat fear, constantly. So, when something like this happens, it only makes us stronger, but it reminds you that your strength is by being able to fight that stuff off and being okay with failure. If I get everything I wish and I get to make movies for the rest of my life, I'm going to have many failures and I need to be okay with that.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
I'm shy. People get confused. They think as an actor you can get up and be confident on the screen. Why aren't you like this in normal life? Why can't you act in your social life? 'Because I can't!'
Dealing with poetry is a daunting task, simply because the reason one does it as an editor at all is because one is constantly coming to terms with one's own understanding of how to understand the world.
My attention is constantly being caught! I'm constantly learning, constantly becoming fascinated by new things - I'm lucky that I read incredibly quickly and absorb a lot of information easily, because otherwise I don't think I'd ever get my head out of a book!
You hear stories about directors using manipulation to get actors to do certain things, but I think when you're working with professional actors, it's all about trust. They can do anything you want, it's just a matter of them understanding what you're looking for, and the reason why.
It gets crazy in my mind sometimes but the reason why I like to express so much positivity on my Twitter is because I think we all are battling evil thoughts. I think it's important to not ignore them but to try to understand where they are coming from and get through them instead of suppressing them.
I've heard New York actors say Chicago actors intimidate them because apparently we're the real nitty-gritty actors who're in a town where being onstage doesn't necessarily get you anything except your craft.
The characters I didn't have actors in mind for, that was the scary moment. Because in any production, until you find the right person, you're constantly judging your writing or what it is that isn't working here or not clicking here, because you have amazing actors coming to read for it, and if something's not clicking, it can't be them because they're amazing actors. You're sort of completely doubting yourself.
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