A Quote by Ari Graynor

It is mind-boggling to me that there are so few movies about female friendship, considering women make up half the movie-going population. — © Ari Graynor
It is mind-boggling to me that there are so few movies about female friendship, considering women make up half the movie-going population.
Women are half the population of the world, and yet there are so few female characters on-screen.
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
You can't do a movie without villains. You have to have something for the heroines or anti-heroines to be up against, and I wasn't going to contrive some monstrous female, but even if this were the most men-bashing movie ever made-let all us women get guns and kill men-it wouldn't even begin to make up for the 99% of all movies where the women are there to be caricatured as bimbos or to be skinned and decapitated. If men feel uncomfortable in the audience it is because they are identifying with the wrong character.
Don't make a fuss about a world war. At most, people die... Half the population wiped out - this happened quite a few times in Chinese history... It's best if half the population is left, next best one-third.
I'm sure it's more difficult for women to make movies, especially because, in general, the kind of movies women want to make aren't necessarily going to be blockbusters. But you know, there are so few women in so many positions of power.
I don't understand why people still behave as though making movies with female protagonists is risky, given that - hello - we do make up over 50 percent of the population, and we go to movies.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.
The big takeaway I got from 'Thelma & Louise' was the reaction of women who had seen the movie being so profound, so different. It was overwhelming, and it made me realise how few opportunities we give women to feel excited and empowered by female characters, to come out of a movie pumped.
A culture fixation on female thinness is not an obsession about female beauty but an obsession about female obedience. Dieting is the most potent political sedative in women’s history; a quietly mad population is a tractable one.
If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.
With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.
The reason they don't make movies for adults and for people which are the largest bulge of the population is because they are not usually going to the movie the first weekend. They take a while to learn about it, probably word of mouth. It takes a lot of money to release a picture.
I am a feminist. Women are discriminated against in so many ways, and they make up half the population.
I formed this thing called the Half Foundation, and what I tried to do is quantify hiring practices in Hollywood. Half the population is women, so half of the storytellers should be women. Fifty percent of all the directors in my company are women, and it will forever be that way.
People seem to think that my movies are so carefully coordinated and arranged - and in a lot of ways, they are - but every single time I make a movie, I feel that every director makes these choices. You make choices about your script, you make choices about your actors, and how you're going to stage it, and how you're going to shoot it, and what the costumes are going to be like, and in every single detail, you make that decision. And for me, what ends up happening is, I wind up surprised at the combination of all these ingredients. It never is anything like what I expected.
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