A Quote by Ari Graynor
Through working with amazing people, the bar is always raised to do your own best work. I want to be a part of unique stories that are smart, heartfelt, funny and sad, and have a general sense of good quality.
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The best part is it's a dream come true. I've always wanted to be a working actor, and the good part of it... it's all good! I work long hours, but it's amazing. They pay me. That's amazing! I get to kiss Keri Russell, and that ain't too bad.
The best part of work is always working with people and getting to know them and having the sense that you're not actually working.
As long as I'm working in sport, enjoying it and getting to see some wonderful sporting events, I'm quite happy. I don't want to be really famous. I don't want people to stop me in the street. I want to just enjoy the work, work with lovely people, work on good quality sport and get to experience some more of these amazing moments.
I like to think my sense of humor is sort of smart and dumb at the same time. I like to work on multiple levels - smart and dumb, funny and sad, profound and mundane, cynical and hopeful.
I want to be funny. When I first started writing, I didn't find my stories funny, but people kept saying they were. It kind of worried me; these are some pretty disturbing and sad pieces. Why do people think they're funny?
I get asked, 'Who would you really like to work with?' I'm already working with them. Smart, talented, funny people, good musicians, an extended family, good friends.
People who have the courage to be individuals can usually think things through on their own and make sound decisions. They don't say, "What will people think?" They say, "What's the best way to handle this?" The amazing fact is that God created each one of us as a separate, unique person amid billions of other separate, unique individuals. So the best way to achieve real fulfillment is to be yourself.
I've been working with smart people who are the best at what they do and who fight to make the best-quality stuff. I'm very fortunate that these people have seen whatever they needed to see in me.
The most impersonal seeming audiences eventually just say such intimate, smart, wise, amazing, totally surprising, funny things. It's empowering, in the sense of feeling like you're a part of something really important.
You want to have the perfect balance of hot and funny on your Instagram, but you never want too much of either... Don't try to add humility to your blatant 'hot' posts through a half-hearted attempt at being funny. You look good; just own it.
There's a lot of great stuff on television and that's very appealing to actors who want to work, who do good quality and high quality work. But you're always concerned that the time demands on television will interrupt or interfere with your film work.
When you have passion it changes your perspective on things, you want every tiny detail to be right. You want funny moments to be funny, sad moments to be sad. You wanna give your all.
I feel sometimes that there's this sense that people are poor because they want to be, or they're working-class because they want to be or because they don't work hard enough. I feel like there's this demonization of working people in general, but specifically definitely labor union members.
I want to do good stories, and I want to work with really interesting people. And if it's Noah Hawley forever, that's also amazing.
What nobody tells people who are beginners… is that all of us who do
creative work, we get into it because we have good taste. But there is this gap.
For the first couple years you make stuff, and it’s just not that good. It’s
trying to be good, it has potential, but it’s not… your taste is why your work
disappoints you… We know our work doesn’t have this special thing that we want
it to have. We all go through this… It is only by going through a volume of work
that you will close that gap, and your work will be as good as your
ambitions.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
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