A Quote by Ari Graynor

I started doing community theater when I was seven and I think the intent was just expression. When you're a musician, you can make music in your room, and when you're a writer, you can write. Acting is one of the tricky art forms where you need a certain amount of permission to be able to do it. You can talk to yourself in the mirror, but it's different than actually acting or doing a scene. You need an audience and you need someone else to do it with.
Honestly, as hard a profession as acting is, I think music is even harder. Acting, you're like a leech, because someone else does the hard part for you. They write it for you, then the director tells you what to do. You really just need to know how to pay attention, follow instructions.
What is it that you're not doing - in your work, in your life - because you feel you need permission? If someone had given you that permission as a youngster, what do you think you'd be doing now?
I think there needs to be people that are doing something different in music. There's a need for that as much as there's a need for a scene.
I enjoy so many different art forms; I don't just want to focus on acting. I love music. I love writing stories. And you need solitude to figure out your next step.
Part of what makes you great as a young player can hurt you at the end of your career, in terms of you need a certain amount of ego, a certain amount of arrogance to be able to play well and to push yourself and trick yourself into thinking you're better than you really are.
I thought that I should do Marathi cinema as I knew that there I would be able to explore different subjects. But I also need the money and acting is my bread and butter. So I started doing Bollywood films merely for money.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
I don't believe that directors need to essentially manipulate actors into doing things. You can suffer for your art, and you can make your own self suffer for your art. You don't need anyone else to do it for you. I work best when there's a safety trampoline of kindness.
I think dancing is contributed hugely to how I am as an actor, just a level of comfort in my body and in movement. Things can become strangely physically technical when you're acting, and often something that just feels so unnatural is actually what you need to do in a certain scene.
It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.
At times, I think, 'What would I rather be doing than music?' That's what you have to ask yourself, if you feel like you need to be somewhere else... But there's nothing else I want to do more than music. That's why I stay in the booth.
You need to be disciplined and you need to try to occupy a zone of acting that is always quite scary because you don't think you're doing anything.
We [Americans] really need a system that comprehensively looks at the fact that we need these workers in the United States, we need to be able to provide a pathway to citizenship. We need to be able to allow them to be here legally and to do the work that they are doing and that we need.
My musician friends could always practice what they loved doing, but I can't go on a street corner and start reciting a monologue. Acting is very collaborative, and you always need other people with you - mainly an audience.
I thought "I don't need to reach out to my fans, I don't need to have that dialogue with them." But as a musician, you have to constantly - especially since my music is not on the same level as my acting - you have to connect with your fans. I actually feel like I have developed friendships through Twitter, people that I've worked with I can kind of keep up with them. I've totally turned a corner. I get it. And Instagram.
Men need to be strong, but not bullies. They need to know how to not get emotionally lost in situations, but not be cold and emotionless. They need to know the full variety of emotions as well as thinking and acting. Not just the most limited ways of doing things.
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