A Quote by Ari Graynor

What I love about our show is that it's so nuanced and feels very real to me. I think how it explores creativity in general is very real. — © Ari Graynor
What I love about our show is that it's so nuanced and feels very real to me. I think how it explores creativity in general is very real.
'Watchmen' is a politically charged story, and it explores exactly what a hero is, how the world would treat them and how they would react. It was the first time I read a superhero story that explored that situation. These are very real people with very real problems.
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.
I look at a show like 'Roseanne.' That's super influential on me. It's very funny, very real, with real problems. That was a big influence, and I don't know if you see that all the time in the network world.
Twitter fascinates me because it's real. It feels kind of unreal, but it makes very real things happen.
I can also be very happy in this life, but it's usually happiness that I get from other lives I've lived and other dimensions. This life is hardly important to me. It's very small compared to the importance that I think the fourth and fifth dimension have. Those places are much more real to me, like when you have a dream and it's more real to you than real life. Compared to where I'll be going, this life seems like a dream that just feels like a dream.
I have people say that they love how I keep them off balance as to what is real or not real about pretty much everything I write. I think it's an accurate description of how I feel every day. I can't tell what's real and what's not anymore. I think that's what makes art.
I don't know where creativity comes from, but I think everybody has the ability to be creative. I think what's important about creativity starts when you're very young and how we're allowed to experience our imagination. The people who bring us up and teach us are fundamental in either encouraging creativity or discourging creativity. My imagination was always encouraged.
It's a lot of accumulated joy and tension and all kinds of emotions just pouring out of all us. We've all been preparing for this day and we all knew that one day we would just have to move on with our lives and careers even though we all love this show and love working together. But it's still an incredibly emotional time, especially for me with a lot of journalists asking me how it feels about FRIENDS coming to an end. It's started to make me think very deeply about what it's all meant to me and that's made me ever more emotional!
The real challenge is to give a really nuanced performance and really push myself, to make sure that we see a very complete picture of a woman living with Asperger's. Of course, I'm always intrigued. I learn so much from the show about storylines that actually happen on the border.
Now that's a concept that's always fascinated me: the real world. Only a very specific subset of people use the term, have you noticed? To me, it seems self-evident that everyone lives in the real world - we all breathe real oxygen, eat real food, the earth under our feet feels equally solid to all of us. But clearly these people have a far more tightly circumscribed definition of reality, one that I find deeply mysterious, and an almost pathologically intense need to bring others into line with that definition.
I think for me, the best comedy comes from when something feels real and genuine, so even though Miranda is this wacky character, there is a real vulnerability to her that we finally get to show in 'Haters Back Off,' and I think that's what makes this comedy rich and more fulfilling, at least for me.
'Younger' is about reinvention and how age is very much a state of mind. I think the show is ultimately about reinvention. I do think it explores, ultimately, the differences between generations, through the prism of reinvention. That reinvention is possible.
The striking thing about New Girl is that under all the comedy, theres something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
The striking thing about 'New Girl' is that under all the comedy, there's something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.
Living is very serious, very real. It is also always a game. If we are wise, it is very real, very terrible, and very lovely, and a good deal of fun.
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