A Quote by Ari Lennox

I started gravitating towards Soundcloud. So, that was my hustle and then I met my manager Justin in 2012 and we were just grinding it out in New York. — © Ari Lennox
I started gravitating towards Soundcloud. So, that was my hustle and then I met my manager Justin in 2012 and we were just grinding it out in New York.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
Being in New York as a whole, Brooklyn as well, you can do anything you want. That's by far the best part about New York, besides just the hustle and grit and grind of Brooklyn specifically, but the best food. Anybody you want to get in contact with, odds are if they don't live in New York, they're passing through New York at some point in time.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.
I had a nutty career. I was living in New York. Then I got to an age where my friends and sister were having children, and I started to think I needed to orient myself towards a world where it could happen.
I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.
I actually like south Florida. I never lived in a more interesting place than this. I've never met a wider range of people. I guess when I came here I thought there were Cubans and then there were people from New York and that was Miami. Now I know that it's Cubans, people from New York, and some people from New Jersey.
I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.
I picked up the guitar when I was about 14 or 15 maybe, and then I started just messing around with loops on GarageBand, and just building my own beats in my bedroom and then just releasing that on SoundCloud.
When I started coming to do shows in New York, New York had a pretty electric energy then. It was the early-nineties, and there was a lot of really fun theatrical types that were designing, and so the runway kind of became this stage for all of these mega model personalities to flaunt their stuff.
Despite some standout events, 2012 was demoralizing. The Met felt adrift, and New York City Opera couldn't claw its way back to artistic health.
I met my new partner [in Indiana] and she asked if I wanted to move out of New York. I said yeah, and we got a house that's way cheaper than renting a closet in New York.
I went to the University of Georgia for a year before I left, and then I went to live with Eileen Ford in New York for the modeling agency. I thank god I could do that because all the other kids were getting jobs doing other things, and when I got to New York, I was very blessed. I didn't have to stop and be a waitress. I started making money at a very young age and was just very lucky.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
Right when I turned 18, I moved to New York, originally for school, and then dropped out and just lived in New York.
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