A Quote by Ari Lennox
I came across this guy named DJ Grumble and I just really liked his beats because they were different. I felt like they spoke to me.
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Dr. Okun. Who's named after a special-effects guy named Jeff Okun, who had done Stargate for Roland Emmerich and Dean Devlin, who did Independence Day. But "Brakish" just came up one day when Jeff Goldblum and I were improvising, and he told me his character's name and I told him mine.
I did a show in Germany, and some kid - he was disabled - he was actually in a wheelchair, and he came out to my show, and he couldn't get across to me what he was trying to say, and you could see that he was frustrated because he couldn't fully express himself, and I just felt like, 'Wow, he's just really passionate about me.'
I don't do my show for critics. Early on I did, because I'm a nice guy and I like to be liked by everybody, and I thought, "Hey, I'm just making people laugh, what's the big deal?" There have been all different types of comics that appeal to all different types of people. Why rail on me? But yeah, they really don't like Southern acts.
I was in Fort Lauderdale from about age 7 to 14. And that's where I learned the most about music. My favorite DJ was this guy named DJ Laz and the Miami bass guys. I was super into, like, Arthur Baker, that kind of stuff.
And we had a DJ - my childhood friend from Chicago came to be the DJ at our party out in LA. It was a party, rockin' and rolling, and it was dancing and fun. For me it was different; just to have family with us.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I have a few different managers, and one of them hit me up today and was like 'I'm going to set you up with these guys doing beats and such...' I was like cool, as long as I can do what I do. Just because kids are going like this now, I'm not going to do that because I am not 18 years old. I'm not going to rap like I'm in grade three because it's popular. I'm just not going to do that. It's not because I'm being stubborn, and I definitely not that guy that is getting older and does not understand the younger generation.
I'm not really a sequel guy. I did 'Angels & Demons' after 'The Da Vinci Code,' because I like working with Hanks, and I felt it was a really different sort of world that we were visiting. That was, of itself, interesting.
The most interesting to me were Doctor Strange, because he was so mystic, and Thor, because that was really cool. I mean, I had never been able to relate to the idea of a bearded guy in the sky, you know, and I'd always really liked mythology, and with Thor, it was like Stan Lee was actually saying, "Yeah, it's okay, there really is this Nordic god, there really is something besides the bearded guy in the sky". So I loved that!
When the Swing Lo Magellan touring wound up, it felt like the end of something for me, and I needed a break from touring. But really, the co-writing and producing I did after this gave me a different perspective on this whole thing. To me, that was like being a different spoke on the wheel.
I been seeing other people work with Belaire like DJ Khaled, Rick Ross, and stuff like that. But other than that, I just wanted to work with them because they showed me mad love and were genuine when we were locking in the deal. For me, it had to make sense and be genuine, and this partnership definitely felt that way.
I was looking for some vintage furniture, and I came across this booth where they sold old pictures. This guy didn't just have things in a box; he had really curated his collection. Each image was like this little folk masterpiece.
My father wasn't a hard guy. He was a well-liked guy. He had a lot of compassion about things in life. There were rules, but there was also flexibility within those rules. He didn't push me when it came to golf: he just taught me the right way to play the game.
When Bernie Sanders came along, and I liked his tweets and I read more about him, researched him more, I decided I like him and his policy, even more than just I like another guy in the Democratic Party, I really believed in it. And when you believe in something, you get out and work for it.
Mr. Balanchine was a great gentleman, and he loved his dancers. He was devoted to his company. He came to the ballet every night, and his presence was felt. It was like the whole company was dancing for him. And if he liked you, he trusted you to be yourself. He didn't try to change you and make you into something you were not.
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