A Quote by Ari Lennox

Artists tend to get this thing called demo-itis, and I'm extremely guilty of that. — © Ari Lennox
Artists tend to get this thing called demo-itis, and I'm extremely guilty of that.
We don't want Offspring-itis, Green Day-itis: you know, that thing where bands are all over the place at once, getting everything at once - major airplay on radio, major airplay on MTV.
But successful investors tend to be not too self-destructive. They tend to be patient, they tend not to follow the crowd, and they tend not to be too guilty about winning.
Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they're doing now.
You only live once, why be miserable? Fat people are miserable -- you are carrying 50 lbs on your shoulders all day, you get a disease called "pooped-out itis". Don't tell me that they are happy with the way they look and feel. I have to be honest, that is all I have.
I'm sure it's one of the most frustrating aspects of human experience for all of us, that when we tell someone who's hurt us that they've hurt us, they tend to react with anger because they feel guilty, and we know we also get angry when we feel guilty.
The artistic temperament is a disease that affects amateurs. Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.
I tend to like to write a song and then think about it for a while. I record a demo of it and then put it away and wait until I've gotten more thoughts on it or get sure exactly how to approach it.
The first thing I ever auditioned for was a movie called 'Extremely Loud & Incredibly Close.' And, this is kind of a secret, but it came down between me and the one other kid for it, but I didn't get it, so.
I wasn't the kind of guy who was like 'here's my demo,' or 'listen to my demo.' I just never thought it was that good.
I was guilty of appropriating when I did a video called 'Hard Out Here.' I was guilty of assuming that there was a one-size-fits-all where feminism is concerned.
If you make a good show, you tend to get good reviews. I don't believe it is as arbitrary as some people tend to think, which artists do to protect themselves against bad reviews.
When people talk about imagination, they tend to think of fantasy or something made-up. But really imagination is a mode of perception. Which is maybe why so many artists have turned to the occult. Artists tend to feel like outsiders. Whether they are actually outsiders or not is also kind of irrelevant.
I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
There was a jingle house called Lucas/McFaul in New York, and they called me 'the demo king.' I almost never had the big final - in jingles, you have the big final, and then you sing on it, and you make a good deal of money.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
Sometimes you have to be a diva. All the artists I admire from Madonna to Whitney to Mariah have all been called divas. If you are strong, if you have vision, if you are an artist, you have to do what you believe in. And if you get called a diva for it, then so what.
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