A Quote by Ari Marcopoulos

Sometimes when people look at the work I've done with my family, they think it's autobiographical. But it really isn't. It's more about the idea of family. — © Ari Marcopoulos
Sometimes when people look at the work I've done with my family, they think it's autobiographical. But it really isn't. It's more about the idea of family.
One of the things I'm most proud of over the years, is time management and balancing family and work. Everyday, you just look at what needs to be done and do that, what needs to be done. That includes the idea that family is first, kids are first and when you're with the family, put the phone down, look them right in the eye.
The one thing we can all relate to is family, and family has its traumas sometimes. Sometimes things don't go well for people. Sometimes things are tough. So everybody kind of knows someone who's been in this situation before, and I think that's what makes it work.
I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.
I'm really proud of the way that 'Pose' has brought people's families together and touched people's hearts and opened people's minds. It's really incredible to see. It's a show about love and family, and it highlights what it really means to have a family and to be a family and to love your family.
I think what draws people into 'Supernatural' is that when all is said and done, and the ash from the various apocalypses settle, it's about the brothers. Even though there's cool fights in this and cool special effects, and there's superheroes... in the end, it is about family. Two families: the family by blood and family by choice.
I haven't really thought about family in my work. I simply play with people I meet. They mostly become friends. There is something like a great community of people around me, but this does only exist in my mind. All these people are my family, they are not a family. They mostly don't know each other.
And when I was young, my family was perfectly nice. I write a lot about it, as you noticed. But it was rather limited. I think, I don't think anyone in my family would really feel I'd done them an injustice by saying that. We didn't see many people. There were many books. It was as if I wanted to get away from home.
I am so passionate about my work that when I reach there and I become my character, I don't really need to think about my problems. My family is so strong that I don't really feel that there are so many problems. I feel my family takes care of me and I can work.
My father, who is now in Heaven, was a supporter of La U, and I think the truth is that a lot of my family would like me to end up there. My dad was the pillar of the family, and sometimes people do things for their family as well.
Your first family is your blood family and you always be true to that. That means something. But there's another family and that's the kind you go out and find. Maybe even by accident sometimes. And they're as much blood as your first family. Maybe more so, because they don't have to look out for you and they don't have to love you. They choose to.
I think the idea that the community you live in is an extension of your family is a really nice thing for people to think about and to wish for in their own lives.
Sometimes 'Frances' can be about finding the missing piece, trying to look for biological family as opposed to maybe realizing your family is whoever is around you at the time.
Some may look on my work as being corny or old hat and wonder if my observations on the typical family are passe, what with the single-parent family and mixed family units.
It's a lot to do with the Marvel ecosystem. It's different from the traditional studio system. Because it is, for how absurdly, incredibly successful they are, it is a family. It is a loving family. It is a group of people who only care about making things good. They don't choose directors who don't want to work with them in the way that they work. And the directors that they choose are better for having done it. Every director who comes out of that system are one kind when they come in, another when they come out. And they usually come back for more. They usually make more than one.
Love and this close-knit family structure really helped to give me the confidence. To know that you have family to go back to is a help. It doesn't always happen biologically. Sometimes God gives you family in other forms, but I was very blessed. I have a very strong biological family.
Schools stifle family originality by appropriating the critical time needed for any sound idea of family to develop - then they blame the family for its failure to be a family.
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