A Quote by Ari Marcopoulos
In Holland, things were pretty stale for me. Even though there were a lot of good influences and a certain openness to music and art and literature, I just wanted to go somewhere less familiar - somewhere bigger.
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Some were getting married; some were getting divorced. People were in different places, but you had enough time on this earth to actually get somewhere, and I think that's the exciting thing about being 36 and in your mid-30s. You've been somewhere, and you're going to go somewhere. It's fun; it's exciting.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
This is a world that is much more uncertain than the past. In the past we were certain, we were certain it was us versus the Russians in the past. We were certain, and therefore we had huge nuclear arsenals aimed at each other to keep the peace. That's what we were certain of... You see, even though it's an uncertain world, we're certain of some things. We're certain that even though the "evil empire" may have passed, evil still remains.
Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
You don't have to go to New York and you don't have to go to LA or London. Go somewhere cheap. Go somewhere with free art museums and then just go to art museums.
I see a lot of art; we see a lot of music, films at Sundance... that influences me and informs me more than theater just because I make a bigger effort to see other art forms.
I guess a certain contingent of the musicians in London at the beginning of the '70s were fed up with denim and the hippies. And I think we kind of wanted to go somewhere else.
My time at Wofford was very dear to me. I chose to go there because the academics were so strong. I could have gone somewhere a little more local, but I wanted the academic challenges Wofford had to offer. It worked out pretty well for me obviously.
I guess it's interesting traveling, for me, because I never in my life until doing this felt a sense of being from anywhere particularly, whereas now I do feel quite European. Even if we don't get up to England, if we're in France or somewhere like that, it feels more like going back somewhere familiar - more than even America, where we share a lot of cultural stuff.
My three daughters are all going to go to college, and it's not even a question. When I was applying to college, my parents were hoping that I would just go somewhere. Today, they look at their grandkids, and they know those kids will have a chance to build this country in bigger and better ways than my parents ever had a chance.
I wanted to go somewhere and make a name for myself. I wanted to go somewhere and establish a winning culture because everybody knows about the football team. So I wanted to change the culture and make it both basketball as well as football and just give the fans what they want in Tuscaloosa.
Memory's so treacherous. One moment you're lost in a carnival of delights with poignant childhood aromas, the flashing neon on puberty, all that sentimental candyfloss. The next, it leads you somewhere you don't want to go.. Somewhere dark and cold, filled with the damp ambiguous shapes of things you'd hoped were forgotten.
I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
When I started travelling, I would go to a city and be on television and I used to get the question, 'Why do you work? If I were you, I'd just go and lie on a beach somewhere.' And I'd answer, 'Well, I wanted to make something of my life.'
When I started travelling, I would go to a city and be on television and I used to get the question, 'Why do you work? If I were you, I'd just go and lie on a beach somewhere.' And I'd answer, 'Well, I wanted to make something of my life.
A lot of things that should not be written were written without checking with me, things that were not in good taste. That hurt me. That is why I stopped talking to the press. Because they didn't want to ask me. They just wanted to write what they felt like.
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