A Quote by Ari Melber
TV can keep you honest because the viewers really do listen. People who have succeeded in this have shown the audience how hard they work and that their reporting is really worthwhile.
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TV is still a 'push' medium - we are broadcasting into any home or business with basic cable, and depending on what's happening in the world, we have a wider audience, from news junkies to very sporadic viewers. On TV, you want your reporting to be valuable to that entire audience and be relevant.
You just have to work really hard and throw everything into it. ... It's really hard to be an artist, and even if you do work really hard, there's no guarantee about anything. There's no advice you can give someone that things will somehow work out, but you can talk to people about how they can make art a big part of their life.
Over the Christmas period, I spent time with both Bob Hawke and Paul Keating, and you listen to stories and tales of how hard it can be when it's really hard, and I think we easily all talk ourselves into the proposition that it's never been as hard as this. Well it's been hard in the past. It's been really hard. So you keep doing it and, the more you do it, the more you gain strength and confidence that you can do it.
As an artist, you have to work really, really hard because you gotta make something that will allow people to even take the chance to even listen to it, you know?
I see a strategy for fracturing humanity well in play: just keep people separated and let them reinforce invented boundaries in their imaginations. Because when people come together and really listen to each other, doing the hard work of human kindness, virtually every barrier is breached.
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!
Play becomes a distraction, something you don't really need to do. It's not for serious people. They work hard, they don't play hard. Yes, you can say play hard, but that really means, keep working hard, right?
I don't want to make it a hard, fast rule, but it's surprising how many 'fun for the whole family' acts are real scumbags. The people that confess they're scumbags on stage are generally really great people. They're more honest with the audience with who they are.
I keep saying this - and I keep putting it off because I get busy - but I keep saying one year I'm gonna tape our Thanksgiving dinner or, like, our Christmas dinner and maybe put it on my website just for people to see how funny it really is, how much fun it really, really is.
To be honest I would like to do more movies, I've been a victim of my own success in that sense, as if you have a TV character that really endures, it's really hard to get into film.
Performance-wise, you really need to be down in the trenches; you need to do the hard work, for a lot of reasons: To build yourself as a performer, to get a sense of the audience, to work hard and to wonder, 'Do I really want to do this?'
I think that the spirit of America is still very much one of where people want to work hard and the majority of people want to work hard. They want to be entrepreneurs. But when you have that all taken away with government regulation or with government overbearance of taxation, you start to wonder whether if it's even worthwhile because who are you really working for? Are you working for yourself, are you working for the government? In the end, this wealth distribution scheme that's at the heart of the current political administration is an inherently wrong one.
Obviously, I'm a female in sports. You work really hard, you prep really hard, you put a lot into the show, so when you have certain comments, and people are saying, 'Oh you add nothing,' or, 'You got your job because of this.' Really? Why don't you look at my master's degree?
But I think whenever you're bringing in a new Doctor, you have to set it up in a really great way because it's an entry point for a whole audience. Because the audience of 'Doctor Who' is everyone from eight to 108, life is continually creating new viewers.
I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.
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