A Quote by Ari Shaffir
I'm not as much a fan of the venues as I am the comics who inhabit them. I don't care if it's a bomb shelter, a bus, or a theater, if I'm watching somebody who makes me laugh, I'm down.
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I sleep equally well in a soft bed or on the grass beside the road. If I am given food and shelter, fine. If not, I'm just as happy. Many times I am given shelter by total strangers. When hospitality is not available there are always bus depots, railroad stations and all night truck stops.... When no shelter is available to me, I sleep in the fields or by the side of the road with God to guard me.
One of my beliefs as a filmmaker is that if you can make somebody laugh, you can make them listen. With laughter, you can get somebody's guard down, you can open them up to listening to you. They don't feel like they're being preached to or talked down to. I think it helps, it makes really hard to understand information a little more accessible and palatable. And at the end of the day, it makes a movie a little more fun. It doesn't feel so heavy handed.
I have a country-boy sense of humor. I come from a poor family, and I have no education. But I am Middle America, and what makes me laugh is what makes them laugh.
When comics are in the room, people have a tendency to try to make them laugh. That doesn't really make you funnier. It makes you a comic's comic, but you aren't going to get a fan base doing that.
Much of life for many people, even in the heart of the First World, still consists of waiting in a bus shelter with your shopping for a bus that never comes.
That's not part of me that I have to do something dark to prove to people that I'm an actor. The fuel for me is the laugh. Maybe later I'll want to show people the darker side... But right now, I'm having too much fan making people laugh. And it really makes me feel good.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
I am, of comics I was never as big of a fan as I probably could have been I suppose but I'm definitely a fan of science fiction fantasy. My interests were in fantasy more than comics growing up.
I want to sit down, and I want to laugh. Nothing works better for me than watching somebody slip on a banana peel.
So long, Mom I'm off to drop the bomb So don't wait up for me But while you swelter Down there in your shelter You can see me On your TV
I love comedy. There's just something so great about making people laugh. And for me, too, whenever I laugh, it just makes me feel so much better just watching a great comedy.
You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speaking, is going to be somebody who is telling it in an angry way.
Anything I shouldn't laugh at makes me laugh. I mean, I'm bad at that, when somebody is singing something terribly and I'm thinking to myself, 'If I laugh now, this is the absolute worst thing I could ever do,' and then I start laughing and I can't stop.
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to make them laugh. They can't laugh at someone they're looking up to.
I'm a huge David Wain fan. He's one of my best friends now, but he just makes me laugh continually, much to the annoyance of his wife.
I don't care how people read their comics, I want them to read comics. I don't care if they read them on an iPad or a phone or in store, I just want them to read comics.
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