A Quote by Ari Shaffir

I love doing my podcast, but it's not my art form. I don't have to work on it. It's off the cuff. — © Ari Shaffir
I love doing my podcast, but it's not my art form. I don't have to work on it. It's off the cuff.
I downloaded a Ricky Gervais podcast once at the persistent urging of a friend and found it funny but distracting - if I'm online, I'm surfing, which means I'm distracted from the podcast. So it's a form that doesn't really work for me.
In doing my podcast, I do find that I tend to try out bits that I then try on stage later that day. If they work, great, and if they don't, I regret having talked about it on the podcast.
I pushed against doing a podcast for so long. I'm a very late comer to the podcast game. But you're responsibility as a comedian is to get your viewpoints out into the world, and we have a lot more avenues to do that. So it's a lot more opportunity, but really have to work all the time.
If I was a young director starting off, there's so many tools at your disposal now to do things relatively inexpensively that it's a great time to learn your chops and do some cool music videos. If I started all over again, I'd still be doing music videos, I'd just be doing them very differently. It's very difficult for me to do them now, but for young kids out there that love music and want to tackle a different art form - and I do think music video is an art form - that's a very cool thing to do.
I started a podcast about 'X-Files' and ended up on it. Then I started a podcast about video games, and I'm in the new 'Mass Effect' game. I have to pick the stuff I love and do a podcast on it.
It's funny - the reason I started doing a podcast was because every time I was on someone else's podcast, I would take it over a little bit.
For podcasters, people are just being themselves in a public fashion. So when someone is attacking a podcast, they're really attacking the person, because the person is the podcast. So I think that's why podcasters take it to heart. It's a very personal form of media, probably the most personal form of media.
Love and work are the only two real things in our lives. They belong together, otherwise it is off. Work is in itself a form of love.
That always makes it fun inside the ring when you know you can work with somebody. You can fly off the cuff while you're in there; you can improvise.
The average British person would hear me doing my joke about Rebecca Adlington and realise there's no malice in it. It was an off-the-cuff ad lib.
Writing a book is about me doing the work to get from the obsessive particular to something that reaches out of that in some meaningful way. It doesn't come easy to me. I really admire people who do it with acuity, but I don't, and for me it takes the process of working on a book for years to do any thinking that I feel accomplishes anything. I don't do it off the cuff well.
I have always been interested in entertaining, scoring goals, making things happen, doing things off the cuff, and Chris Coleman offered me that.
Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.
I have a great amount of respect for what a manicurist does - now, when I go and get my own nails done at a nail salon, I have a lot of respect for what they're doing. Especially any kind of intricate work that they're doing is... it's a real art form.
I expect to see the coming decades transform the planet into an art form; the new man, linked in a cosmic harmony that transcends time and space, will sensuously caress and mold and pattern every facet of the terrestrial artifact as if it were a work of art, and man himself will become an organic art form.
There are only two reasons that anybody does something for 50 years. You've got to believe in what you are doing and love the art form. I love harmony-tight, close harmony.
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