A Quote by Ari Shaffir
That anonymity that comes with talking in front of a crowd of people you've never met allows you to reveal anything, because you don't really have to associate with any one of them.
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For me any moment in front of a crowd is embarrassing, because I can't stand being in front of people. I'm probably one of the worst public speakers. I try to avoid it, but there are times when it's just too rude not to do it. But there really isn't a moment that's not embarrassing for me if I'm going to stand up in front of a crowd.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
I know the American people. I've met a lot of them. I've met a lot more of them than any columnist has, or any talking head on TV has. And they're pretty sophisticated.
Obama's style of argumentation is unlike any president I have ever met, and I've met a lot of them. And the condescension that oozes from him when he's talking about his opponents, it's really striking.
I don't know how much influence we really had, because we never put our pictures on the albums or anything and we never really promoted the Talking Heads connection, because we wanted to keep it separate from Talking Heads.
To me spirituality needs an honest individuality. It does not allow any kind of dependence. It creates a freedom for itself, whatever the cost. It is never in the crowd but alone, because the crowd has never found any truth. The truth has been found only in people's aloneness.
I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.
People reveal so much of their mental processes online, simply because the psychological effect of anonymity just means that a whole raft of inhibitions are left alone when people log on.
I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
The athletic part I never struggled with. It was the promos, the talking and, being uncomfortable in front of the crowd. Especially being a 'bad guy,' having people call me names, that was hard getting used to.
On the Avenue in front of the White House were several hundred colored people, mostly women and children, weeping and wailing their loss. This crowd did not diminish through the whole of that cold, wet day; they seemed not to know what was to by their fate since their great benefactor was dead, and though strong and brave men wept when I met them, the hopeless grief of those poor colored people affected me more than almost anything else.
Everyone talks about how the anonymity of the Internet allows people to behave badly, but I think it's the other way around, that the anonymity removes the 'self' from the people we're talking to online. Other people lose their humanity in our eyes. The system is set up to dehumanize.
It's funny how strangers can pass in front of you every day and all you see is a flat shadow, a vague outline, not noticing any of the details. They move in a gray crowd, always looking the same and acting the same, simple caricatures of who they really are, but once you get to know them, you notice the specific, tiniest things, you pay attention to the intricacies of their personalities, their habits and particular ways of walking and talking, the subtle changes in their appearance and dress.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
Typically, in a live-action format, when you watch a wrestling show, you've got wrestlers in a ring in front of a thousand, five thousand, ten thousand people, and they're playing to large crowd, so you never really get that intimate, close and personal dialogue with them.
I came out here to do the acting, and then after a year of auditions and not getting anything, I met these Italian guys and they asked me to write lyrics for them. Then they said, "Why don't you just front the band?" I said, "Well, maybe because I can't sing. I've never sang before in my life."
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