A Quote by Arianna Huffington

I can tell you with authority that when I'm exhausted, when I'm running on empty, I'm the worst version of myself. — © Arianna Huffington
I can tell you with authority that when I'm exhausted, when I'm running on empty, I'm the worst version of myself.
I've had a contemptuous relationship with authority throughout my life. I found myself at odds with authority, and I'm disdainful of blind authority.
Don't tell me that you have exhausted Life. When a man says that, one knows that life has exhausted him.
Electra Heart is the antithesis of everything I stand for. And the point of introducing her and building a concept around her is that she stands for the corrupt side of American ideology, and basically that's the corruption of yourself. My worst fear - that's anyone's worst fear - is to lose myself and become an empty person. And that happens a lot when you're very ambitious.
If I ran into a 19-year-old version of myself, I'd just tell her to live, full out. I might also tell her to go ahead and have a few babies and not worry about the timing of it.
...but the truth is that I don't feel like I can carry anyone but myself right now. The streets are empty. I am empty. Or, no--I am full of pain. It's my life that's empty.
And voices singing out of empty cisterns and exhausted wells.
If I do three interviews in a day, I can be exhausted, because the process of hearing everyone requires that I empty out myself. While I'm listening, my own judgments and prejudices certainly come up. But I know I won't get anything unless I get those things out of the way.
I empty myself out and fill myself with the character. I would play a devil worshipper, and I would fill myself up with whatever devil worshippers believe. Then, as myself, I empty that out and become Nelsan.
The loneliest people in the world are those who have exhausted pleasure and come away empty.
But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.
I wrote myself back together. I wrote myself toward a stronger version of myself . . . Through writing and feminism, I also found that if I was a little bit brave, another woman might hear me and see me and recognize that none of us are the nothing the world tries to tell us we are.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
Everyone is in such a hurry. People haven’t found meaning in their lives, so they’re running all the time looking for it. They think the next car, the next house, the next job. Then they find those things are empty, too, and they keep running. Once you start running, it’s hard to slow yourself down.
Firing people is one of the worst parts of running a company. Actually in my own experience, I think it is the worst.
I'm uncommonly slow to show my work to other people, and by the time I do I've usually exhausted myself so completely that all I really want is for someone to tell me that my efforts have added up to something - not one of my better qualities, I admit.
If I'm exhausted, physically and particularly emotionally, I can't tell what's good and I can't tell what's bad and I'm useless.
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