A Quote by Ariel Helwani

Curtis Blaydes' ground and pound is really scary. Like, really, really scary. — © Ariel Helwani
Curtis Blaydes' ground and pound is really scary. Like, really, really scary.
What's really scary about the original 'Blair Witch' is that it doesn't really answer any questions, so what makes that ending so scary is you walk out feeling dirty because you don't even know what happened. It feels wrong.
I really respond to human scripts, scripts that are raw and real and risky. I love playing scary characters - not horror film scary, but vulnerable scary.
People really want to see what I'm up to, and that's crazy. It's a really lovely feeling. It's kind of scary, but a good scary. It's a lovely position to be in.
When so much is left to the listener's imagination, it is bound to be more scary. But our stories are not just to frighten; they are engaged with the things that are really scary like loneliness and madness.
Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies. It's the ones that deal with the inner fear: the unknown realms and the mysticisms that are scary.
You have no control [over natural disaster]. That's what's scary about it. You're helpless. That feeling of helplessness is really scary.
Scary movies scare me. The Exorcist is really scary.
What I get really excited about are movies that I connect with emotionally. 'Deliverance' was on TV, and they don't really make movies like that anymore, just simple and scary. The truly scary thing is, 'I'm going to threaten your life, I'm going to threaten the people you love. What are you going to do about it?'
I feel like I've always had two selves - the part of me that makes films and the part of me that's political, and they haven't really connected that much. Alias Grace talks about things like class and immigration and women's rights, which felt really good. But especially now, there are pressing things to be said. It's a really scary time in the world. It's a very scary thing to have an American president who openly brags about assaulting women and is openly racist. This isn't a moment to be speaking in metaphors.
Monsters can be scary, and they're great, but they're only really scary when they're reflections of us and they show you the things you're scared of might be true about your own nature.
The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
The scary truth is, you have to scratch some veneer off to gauge where the moral fiber really is in certain pockets of society. It's raw. It's scary. But it gives us a place to work with.
I always had really, really bad nightmares, like night terrors or whatever they're called. I used to wake up in the middle of the night and not be able to move... I'd hallucinate and have really scary visions and dreams, so I wouldn't want to sleep.
Radical innovation is difficult to fund. It seems scary. And the really radical things seem even more scary.
I just really like ground and pound. The way I do it, it looks like I'm just throwing bombs, but there's some technique to it too. I make sure I'm controlling the hips, palming his face to the ground, just little things like this that make sure that the ground and pound works and I'm not letting him tie me up to where I can't throw punches.
Remember what I said about the mosquitoes?" "Which part" asked Maggie. "The scary part, the really scary part, the legitimately terrifying part, or the part that makes suicide sound like an awesome way to spend the evening?
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