A Quote by Ariel Pink
I do get credit for having a California sound to my music, but I don't think people really know what that means - they think the Beach Boys. I'm thinking more like Sunset Strip in the 1960s and stuff like that.
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I think the Beach Boys' legacy is 'Fun, Fun, Fun,' you know? We're calling our next tour '50 Years of Fun, Fun, Fun.' By and large, the Beach Boys' legacy is about incredibly positivity. We've traveled around the world and uplifted the spirits of hundreds of millions of people. Our sound is one of the most recognizable in all of music.
I don't even know what that means. People who get credit have to get it from somewhere. Does a credit bubble mean that people save too much during that period? I don't know what a credit bubble means. I don't even know what a bubble means. These words have become popular. I don't think they have any meaning.
I think a lot of artists get confused when people like their music; they think that means people know and like them. I'm sure there's an element of truth to that, but to me, the music I make is what I'm most proud of. I prefer to focus on that and for people to focus on the music, too.
I don't know if it's possible to affect my ego any more. There's no room left. For me, I think I make music like the way I think it should be made, like what rock should sound like. It has nothing to do with the current marketplace. And so from that state of mind, it's gonna sound different from anything else out there. And when something sounds different, I think that can be inspiring to other musicians.
I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.
I think teenagers just don't have the persistence to pretend to like something they don't anymore. I used to do that - make myself like stuff that didn't immediately appeal to me. When you're 17 and checking out John Cage records from the library. It's not like it's got the hooks of a Ramones record, or a Beach Boys record. But at the same time, you're like, I know there's something in here that I'm supposed to understand. And then eventually you find it.
I have always been amazed guys read my books and seem to enjoy them. Because I've raised boys, I like to think I can get inside a guy's mind. I try and make the boys talk like guys, sound like guys and react like guys.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.
I think girls from a young age know what they want, and boys kind of have to keep up and catch up to them. Even in kindergarten, girls are pretty much the ones that like the boy first and the boys are like, 'Oh, I want to play with my trucks.' They think it's not cool. I think girls are definitely more ahead than boys.
For a long time, I used to think that I had a man's brain that I thought more like a man than a woman. But now I've come to realise that whatever it is I do think like, it's not like men; because men don't really think like men, they think like boys.
I think as more people get more aware, people get more defensive. And when I say that, I mean people who are more privileged, like men. People will think that by pointing out patriarchy and an oppression, that means that all men are horrible people, and they'll write that on social media, and I think that's something that's increased.
My grandmother told me: "We all dated lots of different boys because no one was having sex or kissing. It was just going out for sodas and getting to know people. It didn't seem like there was a threat." I think now we have more ideas of people having premarital and unprotected sex.
I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
I think experimentation with other stuff is great. My real focus has been more-so trying to create a sound that I can build upon and get really comfortable with. I think almost everything is experimentation 'til you find what it is that your sound is.
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