A Quote by Ariel Pink
I always thought, 'I could go the route of saying some controversial things and have it explode, just do it like that. But I don't do that.' But of course, it wasn't really up to me.
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As a kid growing up, this was sometimes a little bit intimidating to have a mom who was always, like, speaking up and always saying something that might be kind of controversial . . . . The thing I think that we got out of that that was really good was, like, we weren't afraid to make waves.
You can always hear a director saying, 'Well I don't really know what this piece is saying, so therefore, I reject it.' There are any number of things you can anticipate going wrong, and sometimes they go right. But I think the things you like most are the things that get rejected first. That's just how things work.
People are always saying bad things about them, but really they think they're just trying to clean up our planet. I'm not saying it's right but, you know, we could all benefit from following that example.
If you see me as a controversial artist or controversial human being, then I could be cashing in on some reality shows. I am not doing anything like that. That's not my aim.
People are always saying, 'You're really nice, I thought you were going to be a complete asshole.' I'm getting pretty fed up with it. I just want to say to them, 'Well I could always piss on your head.'
Ultimately, though, it's living people that frighten me the most. It's always seemed to me that nothing could be scarier than a person, because as dreadful places can be, they're still just places; and no matter how awful ghosts might seem, they're just dead people. I always thought that the most terrifying things anyone could ever think up were the things living people came up with.
Came from a song that I made from, like, 2012 - there was some phrase like 'Rap Monster', and I just, I thought it was so cool. But as I grow up, and as I came to America, I think it felt like too much. So I just abbreviated it to 'RM', and it could symbolize many things. It could have more spectrums to it.
One of my struggles is that I'm a glutton. There's always those very simple, long, old-ass things, but they're very real to me, and I'm sitting in them, and they're swirling in my mind all the time. I tell people about it and they think, "Why don't you just go and make some money, go get a big-screen TV, or look at the Internet." Or they say, "Go create some introspective art." I just want to explode. I don't know how everybody else is able to walk around so calm. It's amazing to me when I see people walking so calmly down the street. I envy them, but I also kind of hate them.
You know, when I was nineteen, Grandpa took me on a roller coaster. Up, down, up, down. Oh, what a ride! I always wanted to go again. You know, it was just so interesting to me that a ride could make me so frightened, so scared, so sick, so excited, and so thrilled all together! Some didn't like it. They went on the merry-go-round. That just goes around. Nothing. I like the roller coaster. You get more out of it.
There were a couple of times where I shot things, or started off in one mode and thought, "Well, I really didn't want to do that." I would just change my mind. And frankly, I don't think anybody really cared. I didn't have some producer that had given me $10 million, demanding results. I could just kind of do whatever I thought was right, and move in that way.
People always send me notes saying they'd love to be a speaker, but they could 'never speak as well as you do!' I'm like, 'Girl, of course you won't. You're just starting out... everyone stinks when they start!'
I know I always had a lot of energy growing up and I had to put it somewhere. Theater allowed me to really feel things, to laugh, to cry, to explode outward. I could do anything and it was totally accepted and appreciated. If I hadn't gone into the theater, I probably would have been a psychotic killer.
You always have some trans girl saying, 'Oh, they were just being funny! They aren't really transphobic,' Just like you will always have some black folks defending some white person for using the 'N' word because they are 'cool.'
I was like, "Oh yeah, that's kind of like me. I'm always living in the past." When I was really young, I thought I was from the 18th century and I was trapped in this life, and I was so miserable and figuring how I could get back. Maybe I was just picking up on ideas of past lives, but I really did believe that I was from another era.
When I first heard 'A Christmas Story, the musical,' I thought, Oh, that could be really good. It just felt like it fit. Some films lend themselves well to other formats, some don't, but there are so many fantasy sequences in the film, and Ralphie's such a dreamer as a character, I thought they could really lend themselves to being set pieces.
I never dreamt I could be an author when I grew up. It just didn't occur to me, because I thought you had to be a) academic, so go to university, things like that, and I didn't think I was clever, or b) dead because I just assumed all the authors in the library were dead.
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