A Quote by Ariel Pink
Talk about a struggling artist having to work against enormous odds ... But I love movies so much, so I'm going to do it.
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You're taught that it's not very likely for you to become successful... that odds are you're going to be a struggling artist for the rest of your life.
We've always been here and we'll always be here. We are a specific arrangement of particles and this instant is infinite. Did we luck out, or didn't we? The odds against this sentence having ever being typed, much less the odds against you reading it were inconceivable. Smile, because the fact that you're able to is almost impossible to comprehend.
The romance is essential. I love the love. I don't love just people struggling. I love what people are struggling for. That moves me. I love watching people be loving, and I find it enchanting, magical and transporting. It's one of the reasons that I go to the movies, and that's why I like putting it in movies.
You're always taught that the world is so competitive. You're taught that it's not very likely for you to become successful and that odds are you're going to be a struggling artist for the rest of your life.
If you're an artist or someone creative, it's all about cheap rent and not having to work for a living. That's what it's always been about. Unless you're a trust-funder or you somehow score a great part-time job or you work for another artist, you're going to go where you can afford to live.
I love you, Susie.She rolled her eyes. Save it.I haven't given you much reason to believe it, but it's true. I love you. I've loved you for so long I can't imagine ever not loving you. When I saw you struggling to breathe yesterday, I was reminded again that a life without you is no life at all. So you don't have to be civil.You don't even have to talk to me, but I'm going to talk to you. I hope you'll listen.
I'm very - I love talking about games, I love talking about movies and TV shows and love what I do at work. But after work, I don't want to talk to anybody. I'm super private. I stay home.
We have a generation of women who think that they can just have IVF, and everything will be fine. The odds are against you once you start having IVF, and the odds are against you over the age of 35. And to pretend that it's easy to have a baby in your 40s or 50s is - it's just selling women a false dream.
If you've ever had anyone in your life who has been struggling with something, struggling with addiction or struggling with anything, and it's about the resilience of love and how much you're willing to struggle with somebody to preserve your relationship and to try to preserve them as a person.
If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.
You try not to talk about the past too much as an artist. Instead, you focus on the continuity of your work.
Having the brain tumor, coming out of surgery and going through all of that, you're like, I am never going to feel the same and I have this new perspective on life. So much gratitude, life just feels like this enormous treasure. Then that kind of just falls away and you're back being grumpy about having an early morning meeting.
I think often when we talk about things like cancer, the kind of final act at the end of the story comes with a cure. But we don't talk a lot about what happens after. And it took me a while to even acknowledge to myself how much I was struggling.
I know that love is ultimately the only answer to mankind's problems. And I'm going to talk about it everywhere I go. I know it isn't popular to talk about it in some circles today. I'm not talking about emotional bosh when I talk about love, I'm talking about a strong, demanding love.
The problem of making artists talk about their work is that when they're making their work the left-brain is shut off. So if you talk to an artist about it, you're talking to someone who wasn't there. It's hopeless.
Clearly, you can think back and see that a character has had enormous odds stacked against him and has to overcome them. It's usually a guy, I'm afraid. But then you're setting up a new movie you have amnesia about these meetings, when you've discussed it more analytically.
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