A Quote by Ariel Pink
Everything comes with hard work. You never get to stop working. I don't see myself ever getting comfortable enough to not have to worry about working.
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If you don't feel challenged, it's because you're not doing enough. Ballet should never feel comfortable. Comfortable is lazy! If you're comfortable when you dance, you're not pushing yourself hard enough. 100 % is not enough. You have to give 200%. One tendu takes years of hard work and will never be perfect. Everything in ballet is a challenge.
Most of my life, everybody made more money than I did at the places I worked. In fact, when I've been an employee, I have never been anywhere close to being the highest paid person there, never. I was working hard. I was working hard. I was doing things I didn't want to do, that I thought I should do. I was getting up every day, going to work, did not phone in sick. Striving. Trying to get ahead, you know, doing what Obama says, working hard and applying myself and trying to get ahead. There was always somebody, there were always a lot of people that earned more than I did.
That's the great irony of allowing passionate people to work from home. A manager's natural instinct is to worry that her workers aren't getting enough work done. But the real threat is that they will wind up working too hard. And because the manager isn't sitting across from her worker anymore, she can't look in the person's eyes and see burnout.
It was hard when my mother left us. I said to myself: 'You must keep working hard for her.' She was a teacher, a big influence. She made me work harder. So when I'm not doing something right or when I'm not playing or working hard enough, I remember what she used to say to me. She gets me moving. She pushed me to work hard.
I learned that hard work is everything. As long as you keep working, keep working and keep working, you will get where you wanna go.
If I ever stop working, I might have a problem. But I never seem to be able to stop working.
I consider myself a fortunate working actor, but I really work at it all the time. If I have a couple of weeks off, I'm taking class. You never stop. I started when I was 10 years old in Cleveland, and I've never stopped working my butt off.
Working at the 'Review', if anything, the impression you got was, 'I'll never be good enough. I'll never work hard enough. I'll never be devoted enough.' These people are staying up all night over their sentences!
When I'd get tired and want to stop, I'd wonder what my next opponent was doing. I'd wonder if he was still working out. I'd tried to visualize him. When I could see him working, I'd start pushing myself. When I could see him in the shower, I'd push myself harder.
The only problem is getting comfortable with myself. It's different for me, a different team. I have to try to do the best I can, working, trying to get comfortable in the left field and with my teammates, too.
I don't really see myself as a talented player. I just like working hard, and working hard brings great achievements.
The main difference between commissioned work and work I do for myself is that if I'm doing for myself, I don't have to worry about sticking to an art description or working for a specific audience or project.
I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.
My advice to an aspiring actor would be to never stop learning or working for what you want. Nothing comes easy, ever, if you want something, you have to work for it. By working for it I mean work on your craft, learn from people who have something to teach. It's just like anything else, practice makes perfect.
I never feel like I've done good enough. That's why I'm always so excited about working because I gotta keep pushing myself to do better work, to do great work.
Getting to my typewriter is something I push myself to, but once I am working, I work hard.
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