A Quote by Ariel Pink
I've kind of gotten more timid. I used to be fearless - at a certain point I didn't care about what anybody thought. I had all the answers and I could have been as bad as I wanted to be. But nowadays I just want to be good and make people happy.
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There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.
[I] had gotten to the point where I simply could not make a bad vinaigrette, this was not exactly the stuff of drama. (Even now, I cannot believe Mark would want to risk losing that vinaigrette. You just don't bump into vinaigrettes that good.)
Sometimes you do have a good time. But when it gets to the point where you're sitting in your home and you're just trying to cover what you don't want people to know. It's painful. And then you want more just so that you don't let anybody see you cry. Or anybody to see we're not happy.
The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.
Everybody knows that if they're happy then usually the people around them are happy, or that people around them happy make them a little happier; that's a proved thing, like "I give to you and you give to me"; they all know that but they haven't thought about it to the point of every action that they do. That's what it is with every action that you do, there's a reaction to it, and if you want a good reaction then you do a good action, and if you want a bad one, then you punch somebody.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
All I want is all what my mother wanted for me when she raised me - to be happy. For that, I don't need to be in a relationship. I don't need to have a certain level of respect. I just want to care very much about what I do and be kind to everyone in the process. It's important that I can feel that. That's happiness.
At a certain point, you must be able to slip loose. At a certain point, you found that you had been set free. You could be anyone, he thought. You could be anyone.
I thought everybody had falsetto. And since I wasn't a schooled singer who studied with anybody, I just thought anybody who had a voice could do anything they wanted with their voice.
And what I thought, every time I thought about my father, every time his name came up, was quite simply: I WANT TO KILL YOU. I wanted to be more mature, more reasonable, I wanted to have a big, fat, forgiving heart that could contain all this rage and still find room for kind, beneficent love, but I didn't have it in me. I just didn't.
We don't live in the old world. But I don't want everyone to know what I've done. We all know every kind of example we could throw out there. The world we see online is very spiteful, we all know about people who have had bad stories thrown at them. If we were more generous I might be more happy about the reputation economy.
I had been in a place where I was letting too many people dictate who I should be and what I should be, and I was trying to make everybody happy to the point where it was just killing me. I'd completely lost myself. It's kind of funny now that people think I've completely changed myself for Marilyn Manson, when this is actually the first time in my life that I took a stand and said, "This is who I am and this is who I've always wanted to be, and I'm finally with somebody who lets me be who I want to be."
The older I've gotten, the more I've gotten a little precious about music-related films as it comes to biopics. I kind of don't want to see it; I'd rather see a documentary. And this is just coming from me. I love music documentaries; I kind of don't want to see people embodying those people.
I guess my life hasn’t always been happy, or easy, or exactly what I want. At a certain point, I just have to try not to think too much about certain things, or else they’ll break my heart.
I really wanted to, but I just didn't understand how people became comedians. I kind of thought it was something you were born into. And so I wanted to be a veterinarian or an architect. I wanted to be in a band, and for some reason I could understand how you could be in a band because I had guitars and all my friends played music. Comedy was a secret want, but it wasn't anything I pursued.
I had just gotten to the point when I could have bought any car I wanted to in America. I even looked at a Hummer. But one day I woke up and realized, how can I talk the talk without walking the walk? If you can feel good about not contributing to global change, then all the power to you, but I couldn't.
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