A Quote by Arielle Dombasle
Dance must have a precision without fault.
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You must speak the vision of your project in a way that convinces people to pay for it. If they won't pay for it, that is the artist's fault. It is my fault. It is your fault. It is not the executive's fault or the world's.
What is revolutionary today is that we're using precision-guided munitions. And instead of building individual weapons, we are building an industry and a philosophy, the culture of precision. You saw Desert Storm. Precision works.
There's always something when you're at fault, too, and that fault you must discover and learn to recognize and take the consequences of it.
You must be respectful and assenting, but without being servile and abject. You must be frank, but without indiscretion, and close, without being costive. You must keep up dignity of character, without the least pride of birth, or rank. You must be gay, within all the bounds of decency and respect; and grave, without the affectation of wisdom, which does not become the age of twenty. You must be essentially secret, without being dark and mysterious. You must be firm, and even bold, but with great seeming modesty.
The dance is strong magic. The body can fly without wings. It can sing without voice. The dance is strong magic. The dance is life.
And oftentimes excusing of a fault Doth make the fault the worse by the excuse, As patches set upon a little breach, Discredit more in hiding of the fault Than did the fault before it was so patch'd.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
Find fault when you must find fault in private, and if possible sometime after the offense, rather than at the time.
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
There are two tendencies in all our war talk.... The first is to boast, if not of ourselves and our deeds, at least of our army, our corps, our regiments. The other is to find fault with, to criticize, to censure, to condemn others. If there is a victory, we gained it and must have the credit of it. If there is a failure, it was the fault of the other fellow,--he must be blamed for it.
To me He is all fault who hath no fault at all: For who loves me must have a touch of earth.
Never let me hear you say it's someone else's fault. It often is, but you must never shirk your own responsibility ... You can't change others, but you can do something about a fault in yourself.
It's one of my strongest dance pieces - having just done Play Without Words which was veering away from a lot of dance - I thought it would be nice to go back to something with almost the most dance I'd done.
Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
The lower sort of men must be indulged the consolation of finding fault with those above them; without that, they would be so melancholy that it would be dangerous, considering their numbers.
Master Precision. Be a precision instrument myself.
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