A Quote by Aristotle

Character is made by many acts; it may be lost by a single one. — © Aristotle
Character is made by many acts; it may be lost by a single one.

Quote Author

Friends are made by many acts...and lost by only one.
In the context of September 11, there were so many that lost their lives that - how do you single out one person? There were so many acts of heroism that day from so many people, whether it be firemen and police officers in New York and our agents also.
Good habits are not made on birthdays, nor Christian character at the new year. The vision may dawn, the dream may waken, the heart may leap with a new inspiration on some mountain-top, but the test, the triumph, is at the foot of the mountain, on the level plain. The workshop of character is every-day life. The uneventful and commonplace hour is where the battle is won or lost.
We ought to be very cautious in the prosecution of magic and heresy. The attempt to put down these two crimes may be extremely perilous to liberty, and may be the origin of a number of petty acts of tyranny if the legislator be not on his guard; for as such an accusation does not bear directly on the overt acts of a citizen, but refers to the idea we entertain of his character.
Goodwill is earned by many acts; it can be lost by one.
The character is what trips you up - the thing of, "I'm going to get so dark in this character that I'm going to get lost in a character." You can't get lost in a character. You can only think you're lost in a character.
Mankind is made up of inconsistencies, and no man acts invariably up to his predominant character. The wisest man sometimes acts weakly, and the weakest sometimes wisely.
Character in many ways is everything in leadership. It is made up of many things, but I would say character is really integrity.
I do not believe that I am made of the stuff which constitutes heroes, because, in all of the hundreds of instances that my voluntary acts have placed me face to face with death, I cannot recall a single one where any alternative step to that I took occurred to me until many hours later.
Within a single scene, it seems to be unwise to have access to the inner reflections of more than one character. The reader generally needs a single character as the means of perception, as the character to whom the events are happening, as the character with whom he is to empathize in order to have the events of the writing happen to him.
When wealth is lost, nothing is lost; when health is lost, something is lost; when character is lost, all is lost.
And though the symptons of lovesickness may be many, they all share a single cause and single cure: you.
Malicious acts are performed by people for personal gain … Sorcerers, though, have an ulterior purpose for their acts, which has nothing to do with personal gain. The fact that they enjoy their acts does not count as gain. Rather, it is a condition of their character. The average man acts only if there is a chance for profit. Warriors say they act not for profit but for the spirit.
On the sequel, you've lost the element of surprise. Usually, on the first one you may not go very, very deep into character; the second one you start to explore the character a bit more.
Heaven and hell are not very distant, they are neighbors; only a small fence divides them. You can jump that fence, even without a gate. You go on jumping from this to that. In the morning you may be in heaven; by evening you are in hell. This moment heaven, that moment hell. It is just an attitude, just a state of your mind, just how you are feeling. Many times, in a single life, you may visit hell, and many times you may visit heaven. In a single day also.
I remembered the pain as clearly as if I were shifting — the pain of loss. I felt the agony of the single moment that I lost myself. Lost what made me Sam. The part of me that could remember Grace's name.
This site uses cookies to ensure you get the best experience. More info...
Got it!