A Quote by Aristotle

The best tragedies are conflicts between a hero and his destiny. — © Aristotle
The best tragedies are conflicts between a hero and his destiny.
Genuine tragedies in the world are not conflicts between right and wrong. They are conflicts between two rights.
Heroes represent the best of ourselves, respecting that we are human beings. A hero can be anyone from Gandhi to your classroom teacher, anyone who can show courage when faced with a problem. A hero is someone who is willing to help others in his or her best capacity.
The noir hero is a knight in blood caked armor. He's dirty and he does his best to deny the fact that he's a hero the whole time.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
I'm going to be criticized by lots of "scholars," but I think Shakespeare's best comedy often appears in his tragedies, actually. Not necessarily in his comedies.
Mao challenged the idea that economic planning would dissolve conflicts of interest among the people. He saw it dialectically - conflicts between intellectuals and manual workers, between the city and the countryside, stratification in the party and society. He said it was necessary to struggle to overcome these differences whether it takes 100 or 500 years.
We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
Stardom happens - you can't plan it - it's destiny, and you shouldn't stand between you and your destiny. I'm letting my destiny play its part, and I go by my gut feeling. If I like my role, I say yes; if I don't, I just refuse, as simple as that.
The true hero fights and dies in the name of his destiny, and not in the name of a belief.
It is said that no man is a hero to his valet. That is because a hero can be recognized only by a hero.
Trump is beset by clear and alarming conflicts between his international business concerns and the national interest.
Nobody, they say, is a hero to his valet. Of course; for a man must be a hero to understand a hero. The valet, I dare say, has great respect for some person of his own stamp.
The American president increasingly used his influence to create conflicts, intensify existing conflicts, and, above all, to keep conflicts from being resolved peacefully. For years this man looked for a dispute anywhere in the world, but preferably in Europe, that he could use to create political entanglements with American economic obligations to one of the contending sides, which would then steadily involve America in the conflict and thus divert attention from his own confused domestic economic policies.
Kerouac's books portray a hero and narrator free and easy, confident, sure of his rebellion against the American system. In reality, Jack was torn between Catholicism, Buddhism, and his own demon-driven pursuit of kicks, between spirit and flesh, between mom's house and the Beat coffeehouse, patriotism and subversion, men and women, society and solitude, carousing and meditation, sacred and profane, secular and divine. It's a miracle he survived as long as he did.
One of the great tragedies of life is that men seldom bridge the gulf between practice and profession, between doing and saying.
The closer one gets to realizing his destiny, the more that destiny becomes his true reason for being.
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