A Quote by Aristotle

Art completes what nature cannot bring to finish. The artist gives us knowledge of nature's unrealized ends. — © Aristotle
Art completes what nature cannot bring to finish. The artist gives us knowledge of nature's unrealized ends.
Art is art, nature is nature, you cannot improve upon it.... Pictures should be inspired by nature, but made in the soul of the artist. It is the soul of the individual that counts.
In part, art completes what nature cannot elaborate; and in part it imitates nature.
Gradually, ... the aspect of science as knowledge is being thrust into the background by the aspect of science as the power of manipulating nature. It is because science gives us the power of manipulating nature that it has more social importance than art. Science as the pursuit of truth is the equal, but not the superior, of art. Science as a technique, though it may have little intrinsic value, has a practical importance to which art cannot aspire.
At the dressing table, every woman has a chance to be an artist, and art, as Aristotle said, 'completes what nature left unfinished.'
Since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must produce a much greater; for both these arts are not only true imitations of nature, but of the best nature.
Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
Nature is a divine art; it cannot be the artist. It is a dominical book and cannot be the scribe. It is an embroidery and cannot be the embroiderer. It is a register and cannot be the accountant. It is the law and cannot be the power.
I think optimism springs from nature. I'm a gardener. Nature has taught me about rhythm, the essence of every art. With so much that is terrible, nature gives me pleasure.
Physics is an organized body of knowledge about nature, and a student of it says that he is learning physics, not nature. Art, like nature, has to be distinguished from the systematic study of it, which is criticism.
The virtues [moral excellence] therefore are engendered in us neither by nature nor yet in violation of nature; nature gives us the capacity to receive them, and this capacity is brought to maturity by habit.
Art not only imitates nature, but also completes its deficiencies.
We have to take care about nature as much as nature is taking care about us. Nature is very kind with us. And if you want to enjoy the gifts of nature and the promises of nature, we have to defer to nature and its needs, its rules, its norms.
The study of art is a lifetime matter. The best any artist can do is to accumulate all the knowledge possible of art and its principles, study nature often and then practice continually.
What is one to think of those fools who tell one that the artist is always subordinate to nature? Art is a harmony parallel with nature.
Art can never match the luxury and superfluity of Nature. In the former all is seen; it cannot afford concealed wealth, and is niggardly in comparison; but Nature, even when she is scant and thin outwardly, satisfies us still by the assurance of a certain generosity at the roots.
Nature is purposeless. Nature simply is. We may find nature beautiful or terrible, but those feelings are human constructions. Such utter and complete mindlessness is hard for us to accept. We feel such a strong connection to nature. But the relationship between nature and us is one-sided. There is no reciprocity. There is no mind on the other side of the wall.
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