A Quote by Aristotle

Accordingly, the poet should prefer probable impossibilities to improbable possibilities. The tragic plot must not be composed of irrational parts. — © Aristotle
Accordingly, the poet should prefer probable impossibilities to improbable possibilities. The tragic plot must not be composed of irrational parts.
Probable impossibilities are to be preferred to improbable possibilities.
. . .the larger the crowd, the more probable that that which it praises is folly, and the more improbable that it is truth; and the most improbable of all that it is any eternal truth.
The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.
Fit the parts together, one into the other, and build your figure like a carpenter builds a house. Everything must be constructed, composed of parts that make a whole.
Once the idea of a supernaturalistic creation is fully overcome, the idea returns that the universe must be self-organizing and therefore composed of self-moving parts. Also, insofar as dualistic assumptions are fully overcome and human experience is accepted as fully natural, it begins to seem probable that something analogous to our experience and self-movement is a feature of every level of nature.
Farce treats the improbable as probable, the impossible as possible.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Even if all parts of a problem seem to fit together like the pieces of a jigsaw puzzle, one has to remember that the probable need not necessarily be the truth and the truth not always probable.
With respect to the requirement of art, the probable impossible is always preferable to the improbable possible.
It must have appeared almost as improbable to the earlier geologists, that the laws of earthquakes should one day throw light on the origin of mountains, as it must to the first astronomers, that the fall of an apple should assist in explaining the motions of the moon.
[Attributing the origin of life to spontaneous generation.] However improbable we regard this event, it will almost certainly happen at least once.... The time... is of the order of two billion years.... Given so much time, the "impossible" becomes possible, the possible probable, and the probable virtually certain. One only has to wait: time itself performs the miracles.
It is not possible, for a poet, writing in any language, to protect himself from the tragic elements in human life.... [ellipsis in source] Illness, old age, and death--subjects as ancient as humanity--these are the subjects that the poet must speak of very nearly from the first moment that he begins to speak.
My duty is to make probable the improbable. If I tell you how I did it, I will ruin your experience.
What give all that is tragic, whatever its form, the characteristic of the sublime, is the first inkling of the knowledge that the world and life can give no satisfaction, and are not worth our investment in them. The tragic spirit consists in this. Accordingly it leads to resignation.
You can't statistically explain improbable things like living creatures by saying that they must have been designed because you're still left to explain the designer, who must be, if anything, an even more statistically improbable and elegant thing.
Such an event is probable in Agathon's sense of the word: 'it is probable,' he says, 'that many things should happen contrary to probability.'
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