A Quote by Arjen Robben

I always want to play. It is important to gain match rhythm. — © Arjen Robben
I always want to play. It is important to gain match rhythm.
You always watch Match of the Day and think to yourself, 'I think I could've scored that chance.' But when you're young, you always want to play. For me, it's not about someone saying, 'We want you to play every game.' It's about being given the opportunity. That's more important.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
You gain know-how from playing matches because every moment of a football match has its own rhythm.
I have finished school and so it's becoming a real job, and as an actor, you cannot always just play roles. To me, it's important to live, to be who I am and then to get out of that, because when you play a role, it's always a bit of yourself. Okay, you can get some things, but that's why it's so important to gain life experience in order to act - it's important to care about this.
It's important to get match rhythm.
What's mostly left after a match? The scenes in front of the goal where the attackers are the highlights of the play. But doing the spectacular is not particularly important to me. I just want to play for my team.
To play a match between Boca and River in Madrid, it's weird. But as a player, it is important to stay focused on the match.
Most beginners want to learn lead because they think it's cool .. consequently, they never really develop good rhythm skills .. since most of a rock guitarists time is spent playing rhythm, it's important to learn to do it well .. learning lead should come after you can play solid backup and have the sound of the chords in your head
I do not want to gain a reputation for lacking discipline because I always look to play within the laws.
Sometimes we have a match at 11 in the morning, sometimes at 9 P.M. We need to always be adapting; we don't have a match at the same time every week, so it's important to be open with everything.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
I don't want to be a lead player. I don't want to shred and play fast licks. I just want to be the best rhythm section ever.
There's the internal rhythm within a sequence, and then there's the rhythm between the sequences, and that's extremely important in constructing the narrative. For example, you don't put two big dramatic scenes right next to each other. But you can use the rhythm of the transition shots; they can often serve a double purpose.
Each match I play is the most important one yet.
I will always want to play one more match, one more Olympics.
It's important for me to play every match the best I can.
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