A Quote by Arjen Robben
I do not understand players going to China at the age of 27 or 28. Those guys are at the peak of their career. That is a waste, really. You only get one career. I sort of understand players who are already in their 30s.
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I'm 28, your career is a long time. We're not tennis players or football players. I'm just about reaching what should be my peak year.
I love playing for my country. I see it as the biggest privilege of my career, so there's no way I'm going to volunteer to give that up. I want to go on for as long as I can. I've got 68 caps and I'd love to think I could get 100. I know there are some players who reach their 30s and announce their international retirement. I totally understand and respect their decisions. We are away a lot and for long spells. But although it's hard, we're doing one of the most privileged jobs in the world.
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
You have so many players all around the world in the NBA, a lot of different generations. If you don't take basketball as a tool in your life, you can get lost. I know a lot of teammates, a lot of players that had a great career and after that career, they just get lost.
Sometimes recruiters and scouts are missing on players. Going after the guys who are really hyped, five-star players and guys that are playing in grassroots and are seen all the time. Then there are the players that developed internally. They go to small schools and they continue to work on their games and they blow up later.
I think I'm realising that careers for tennis players are very short. On the women's side now, players are starting to peak later on, but the average age is about 31, 32 when you finish playing, so I want to make the most of it while I'm young, fit, and healthy. I don't want to waste any time.
I've had the privilege of coaching the best basketball team in the history of the world, and that's the USA national team. I've had a chance to coach them for eight years. If you were to ask me if I could end my career only coaching one team for the rest of my coaching career, I don't think it could get better than that, especially with the players that I've had during those eight years. When you've coached at that level, you know, you've coached those players, it's pretty hard to say, I would rather coach anybody else.
It's always good to have your players with you, it makes you feel great. That is just it. The coach and the players understand one another but people outside don't understand. But it's good to see him, it's good to see all the players.
In the stadium, when it is very noisy, you only have a limited influence as a coach. You need players on the field who understand the plan and who will talk to the guys when things are not going well.
I refuse to be one of those artists who, 10 years from now, they're bitter about the rise and the fall of their career. I understand that somewhere there's a peak and a crest for me, and I'm going to enjoy all levels. I'm going to enjoy this ride that I'm on, and when it slows down, that's when it will be time for another phase of my life.
At 15, you have to decide if you're going to go into professional dancing and really pursue it. I just a) knew that I couldn't stop acting, and b) I had that sort of foresight to understand that when I was 35 - if I was lucky and if I hadn't gotten injured - my career would be on its way to ending. Now, at 34, I really understand that. But at 15, I understood that as well. I was like, "I can't. That's just too risky.".
I don't know if I'm different from everybody else, but there's really only two things to me that are really, really important - recruiting good players in the program and developing those players once they get here.
I think it's a good way to sort of build your career and even when I was a young kid, I did the same thing, I looked at these guitar players, like ...I was a big fan of Steve Vai, and Al DiMeola, and said "What do those guys do?" and I found out that they went to Berkelee College of music, so I was like "Well, I'm going to go to Berkelee College of Music", and you try to, like, learn from those things, so... It's important.
By signing a contract, you accept the conditions, but there are ways and forms. Players are privileged, but those who are in charge of these things have to understand that, in addition of players, we are also people.
Young players will of course always improve upon coming to England. But I came here at 27 and already had a lot of experience from earlier in my career.
Steve Jobs has a saying that A players hire A players; B players hire C players; and C players hire D players. It doesn't take long to get to Z players. This trickle-down effect causes bozo explosions in companies.
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