A Quote by Arjun Janya
In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.
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I love some films with very silent characters, people who don't speak, but I wouldn't be able to do that.
We're nothing if we're not loved. When you meet somebody who is more important to you than yourself, that has to be the most important thing in life, really. And I think we are all striving for it in different ways. I also believe very, very strongly that everybody is the hero/heroine of his/her own life. I try to make my characters kind of ordinary, somebody that anybody could be. Because we've all had loves, perhaps love and loss, people can relate to my characters
There are people - I think this is why there are so many commercial directors doing well in big studio movies, for whom it's not a personal choice - it's "What's the coolest, most effective way to make them laugh, make them scream?" It's a very calculated approach. And that's different. It's not better or worse. It's just a very different approach to filmmaking. That's always been the case.
If you look at me in 'Ride Along,' even though I'm playing two different characters, my demeanor and my tone were not aggressive.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
And Burns--though brief the race he ran,
Though rough and dark the paths he trod,
Lived--died--in form and soul a man,
The image of his God.
I knew that the artists that I loved the most had something about them that was very unfiltered and very rough.
For me planting a tree is a very doable thing. It's not complicated, it doesn't require technology, it doesn't require much knowledge, but it can be a very important entry point into communities understanding how they destroy their own resources, but how they can also restore those resources, and not wait for their government or international agencies to come and help them.
I wasn't into fairytales when I was little. I was of the generation of the earlier Disney films where many of the female characters, with the exception of the Maleficent's, were not little girls that I admired... the little princesses. They weren't characters that I identified with. I think that's very different now for my girls and more recent films.
I have a problem with the present definition of commercial films. To me, 'Ghare and Baire' is an absolute mainstream film. There are also many films I have worked in that have been called art films by many. But I consider commercial.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
Television is very different than working on film. With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
I loved the tone and the characters. They're all very different and they're all very typical for their time. When you read the screenplay you feel like meeting them and getting them off the page and on to the screen.
No matter what, I'm in a very small club. There are very few women who have directed studio-level commercial films - very few.
Hank Paulson, obviously, had spent his career on Wall Street, had a deep knowledge of the Street, and also was a very forceful personality, had a very good relationship with the president, and was in a very different place, for example, than Ben Bernanke, who is an academic, quiet guy: spent most of his time thinking about monetary policy.
I am very much a product of commercial cinema in Tollywood, and people ask me why I don't do masala films in Hindi. I am very eager to do them, but somehow I am perceived as a serious actress here.
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