A Quote by Arjun Kapoor
I signed 'Aurangzeb' because I loved the story. I thought it was an untold tale. For whatever reason, the audience did not like the film. Fair enough, but I still enjoyed the process.
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When I was shooting the film I did not see the story as an everyday tale or a social one. To a great extent, the film is a mythological look on human life. This is probably what I would like the audience to keep in mind before they enter the screening room.
I believe thrillers work if the story is good. It is not easy to make a thriller because the audience is making their own story in their minds as they watch the film. You have to break that expectation and still make them like the film.
I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.
I'm not sure if it's fair to call it a 'fairy tale,' but I really loved 'Mulan,' the Disney film. It was my favorite. I guess it's not really a fairy tale, but you do get Eddie Murphy as a dragon.
I'm not sure if it's fair to call it a "fairy tale," but I really loved Mulan, the Disney film. It was my favorite. I guess it's not really a fairy tale, but you do get Eddie Murphy as a dragon.
I loved making The Imitation Game and it's really gratifying to hear the audience's response to the character that I play. It was just a little thing that I did because I really liked the film and I liked Benedict [Cumberbatch] and I loved Morten's [director Morten Tyldum] previous film, Headhunters. For me, it was something I did thinking, "Wow, this is a lovely quality piece of work."
With 'Aurangzeb,' I just knew that the film wasn't going to work, though I think it was one of my most underrated performances. I did the film too early in my career, but I stand by it.
When I did my first film, I had a fair idea of what I liked and what I didn't while watching an actor in front of the camera. After I finished the film, I thought I had exhausted everything I knew. As I moved from one story, setting and character to another, I discovered something new.
I might not of told you enough that I loved you but I didn't expect for you to cheat, I loved you and you knew that and I still do, I might of argued with you, pushed you away but I still loved, I still do, you walk away as I cry with my hand on my chest because my heart feels like it will tear.
So it is fair enough that you are paying me what I ask for, because it is my name you are using to sell the film. If the producer gives me a guarantee that he will sell the film at a lower price to the distributors, fair enough, then I will charge less!
When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
I signed 'Lucknow Central' because it was a story I wanted to be part of. I still stand by the fact that it was a well written, well directed film with some great performances.
There's no reason the story of Christianity wouldn't be more prevalent in film and television considering the audience size who love and believe the stories. This is a broad audience and deserves to be on broadcast TV.
When I started working in film, I loved photography, I loved the image, I loved telling the story within a frame, but as I started playing around with film and video, it was like, 'Oh my god.' You just have so much more to play with.
The sad ending is only because the author stops telling the story. But it still goes on. It's just untold.
I loved my time at Fulham. A lot of the reason why I signed for Fulham was because of Chris Coleman. I loved what he had to say, and coming back to London.
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