A Quote by Arjun Kapoor
Today, most newcomers from film families are launched in outside films.
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I love Pixar films; I think they're the greatest filmmakers in the world. I love Disney films. 'Tangled,' was great. I loved 'How to Train Your Dragon,' the Dreamworks film. But it's not for me. I don't want to make a film for families; I want to make adult films.
Most films that I do, whether successful or not, just fade away. They have their moment in the sun, then they are gone. 'Trainspotting' did not, and especially with journalists. So whenever I launched a new film, I'd end up talking about 'Trainspotting.'
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
If I had a formula, I would have launched newcomers every year or maybe, every quarter.
I don't know what to expect out of my films. My first two films were with extremely talented directors, and they didn't work. And my next two films were with newcomers, and they worked well. So I've stopped expecting anything from my movies.
There are few teachers from the film industry to guide newcomers. One can see a gap between the film industry and those teaching at film schools.
We launched our #WomenWhoWork initiative to show the world what today's modern, professional women really look like. They're invested in their careers, but they're also passionate about priorities outside the office.
I try, in my films, to normalize things that maybe 20 or 30 years ago a film would have been about. 'Guess Who's Coming to Dinner' needed its own film, but now blended families you see all the time.
It is good if newcomers have a theatre background. It helps in films.
At one point of time, most of my films were successful, so I could have launched a production house. But had I done that, I would not have grown as an actor.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
Today, what most people live in, or with, is the less-than-nuclear family. Working fathers are absent from home during most of the day, the children are schooled outside it, and practically all women who work for money must go outside to earn their living.
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
Many films you see in theaters are financed through outside sources. With big films, the studio will pay, hoping to reap the reward of their big bet. But with medium and small-sized films, outside production companies and financiers often foot the bill.
I started from B-grade films, and today I'm the number one actress of this country... whereas other actresses, whom you might call my contemporaries, they have had no growth in whatever platform they were launched... they are still there and have not risen to another platform.
I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.
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