A Quote by Arlene Croce

It is through strength of technique that the body stays in possession of music. — © Arlene Croce
It is through strength of technique that the body stays in possession of music.
It is not her body that he wants but it is only through her body that he can take possession of another human being, so he must labor upon her body, he must enter her body, to make his claim.
The professional dedicates himself to mastering technique not because he believes technique is a substitute for inspiration but because he wants to be in possession of the full arsenal of skills when inspiration does come. The professional is sly. He knows that by toiling beside the front door of technique, he leaves room for genius to enter by the back.
When you punch somebody in the ring, you have to use your whole body. I learned that it's more about technique than physical strength.
The sign of vigour, the sign of life, the sign of hope, the sign of health, the sign of everything that is good, is strength. As long as the body lives, there must be strength in the body, strength in the mind, [and strength] in the hand.
Animals are in possession of themselves; their soul is in possession of their body. But they have no right to their life, because they do not will it.
Some people when I speak of awareness of the "inner body" call it a technique. I would not call it a technique because it is too simple for that. When the oak tree feels its roots in the earth, its connectedness with the earth, it is not practicing a technique.
Jazz is the music of the body. The breath comes through brass. It is the body's breath, and the strings' wails and moans are echoes of the body's music. It is the body's vibrations which ripple from the fingers. And the mystery of the withheld theme, known to jazz musicians alone, is like the mystery of our secret life. We give to others only peripheral improvisations.
It’s not the body that people love, but the soul. The body is a temporary vehicle. Without the soul, the body is like a car without a driver. I see through my eyes, smell through my nose, taste through my tongue, hear through my ears, feel through my skin, think through my brain, and love through my heart. But who am I? Who is the witness, enjoyer and sufferer that activates my body?
Base Ball, to be played thoroughly, requires the possession of muscular strength, great agility, quickness of eye, readiness of hand, and many other faculties of mind and body that mark the man of nerve.
The beauty of the game is strength, stamina and technique and when you shorten the game, technique goes for a toss and the quality of badminton will surely go down in this system.
Loneliness is a drug, a narcotic; it grows through veins, through nerves and muscles; it assumes some right of possession over your body and mind; it feeds itself, and creates its own requirement. Loneliness and solitude are walls.
I don't love my speaking voice, frequently - but I think that we need music, and when a person sings, those kind of vibrations go through your body, it's amplified in the room. It goes through everyone else's body, too.
Technique is superficial. The method used in applying technique is what gives music its character.
I am a woman and I don't have the power and the strength of a man, so I have to use my technique and my strategy more than just using brute strength like some of the guys do.
To do anything artistically you have to acquire technique, but create through your technique and not with it.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
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